Johan Inger’s Carmen: see what you made me do

Jill Ogai as Carmen and Callum Linnane as Don José in Johan Inger's Carmen

Jill Ogai as Carmen and Marcus Morelli as Torero in Johan Inger's Carmen

Jill Ogai as Carmen with artists of The Australian Ballet in Johan Inger's Carmen

Brett Chynoweth, Jill Ogai, Callum Linnane and The Australian Ballet in Johan Inger's Carmen

Callum Linnane as Don José in Johan Inger's Carmen

Por Katie Lawrence, 12 abril 2024

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“peacocking to a wall of mirrors, while Carmen runs a bizarre chicken-dance around him”

Crítica hecha desde Sydney Opera House: Joan Sutherland Theatre, Sídney el 10 abril 2024

Carmen (Johan Inger)

The Australian Ballet

David Hallberg, Dirección de escena

Curt Allen Wilmer, Diseño de escena

David Delfín, Diseño de vestuario

Tom Visser, Diseño de iluminación

Opera Australia Orchestra

Leticia Gañán, Diseño de escena

Jill Ogai, Bailarín

Callum Linnane, Bailarín

Marcus Morelli, Bailarín

Inocencia, seducción y violencia en la Carmen de Johan Inger

Cintia Borges Carreras, 22nd November

La CND ha ofrecido una visión contemporánea de Carmen a través de un enérgico trabajo grupal, en el que Everhart, Vervoort y Peretz manifiestan la singularidad expresiva de su danza.

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Una Carmen con distinto acento en los Teatros del Canal

Eduardo López-Collazo, 15th June

La CND presenta en Madrid Carmen, del coreógrafo Johan Inger, en un nuevo enfoque del mito de la cigarrera que ha ganado el premio Benois de la Danse. Los bailarines Daan Vervoot y Kayoko Everhart dan vida magistralmente a los protagonistas y la Orquesta Sinfónica Verum acompaña desde el foso.

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Kismet: Rambert’s new double bill brings youthful joy to Edinburgh

Kathy Elgin, 3rd July

Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.

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Shadows and light: Ballet BC

Zoë Anderson, 20th May

Ballet BC’s double bill puts Crystal Pite’s marvellous, shadowy Frontier in conversation with the folk-tinged comedy of Johan Inger’s Passing.

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Hubbard Street Dance Chicago on the road, dancing impeccably

Carla Escoda, 25th March

A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.

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Rentrée en demi-teinte pour le Ballet de l’Opéra de Paris

Laurine Mortha, 10th October

Avec un défilé, des adieux, une pièce très oubliable, deux nouveautés et la reprise de Blake Works I, la rentrée des danseurs de la Grande Boutique a été contrastée.

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Katie Lawrence

Katie Lawrence has a background in ballet, jazz, and contemporary, and spent much of her adolescence in the dressing room of dance eisteddfods. She is still mildly triggered by the smell of hairspray. She is now a regular in Sydney's dance audience crowd and can often be found at Sydney Dance Company and Tanya Pearson adult classes.