Clumsy Liszt, listless Berlioz from Barenboim and the Staatskapelle

Martha Argerich, Daniel Barenboim and the Staatskapelle Berlin

The Staatskapelle Berlin in the Musikverein

Por Mark Pullinger, 08 marzo 2023

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“it’s difficult to watch our heroes diminished”

Crítica hecha desde Musikverein: Großer Saal, Viena el 7 marzo 2023

Boulez, Livre pour cordes

Liszt, Concierto para piano núm. 1 en mi bemol mayor, S 124

Bizet, Jeux d'enfants, Op.22: Petit mari, petite femme

Berlioz, Symphonie fantastique, op. 14

Martha Argerich, Piano

Staatskapelle Berlin

Daniel Barenboim, Dirección

Tradición y novedad con Barenboim y la Staatskapelle Berlin

Irene Littfack, 9th November

Segunda jornada de la Staatskapelle Berlin en Madrid con Daniel Barenboim en la dirección.

****1

Gran inicio de la temporada de Ibermúsica con un Barenboim pletórico

Jorge Baeza Stanicic, 8th November

Daniel Barenboim abre la temporada de Ibermúsica al frente de la Staatskapelle Berlin con Schubert y Beethoven en programa.

****1

Barenboim une a Wagner y Elgar

Miquel Martínez, 6th July

La Staatskapelle Berlin y el maestro Barenboim ofrecieron un intenso concierto, con una memorable Sinfonía núm. 1 de Elgar

****1

Subtle magic: Zubin Mehta celebrates his 90th birthday in Berlin

Zenaida des Aubris, 3rd May

Zubin Mehta celebrates his 90th birthday with a concert at the Staatsoper Berlin.

*****

Eyes wide shut for Berlin’s new Ballo

Mark Pullinger, 29th March

At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.

***11

Young stars shine in the Staatsoper Berlin’s Rosenkavalier

Mark Pullinger, 28th March

Patricia Nolz makes an outstanding role debut as Christian Thielemann conducts a thrusting Rosenkavalier to open the Staatsoper Unter den Linden's Festtage.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Clumsy Liszt, listless Berlioz from Barenboim and the Staatskapelle Berlin in Vienna