Chameleon colours from Batiashvili, Capuçon and Thibaudet

Por Mark Pullinger, 13 noviembre 2018

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“like the aroma of an elegant perfume that wafts past and then evaporates almost instantly”

Crítica hecha desde Barbican Hall, Londres el 12 noviembre 2018

Shostakovich, Trío con piano núm. 1 en do menor, op. 8

Ravel, Trío con piano en la menor

Mendelssohn, Trío con piano núm. 2 en do menor. Op.66

Chaikovskiï, Net, tol'ko tot, kto znal (None but the lonely heart), Op.6 no.6

Shostakovich, Trío con piano núm. 2 en mi menor, op. 67 (Allegro con brio)

Lisa Batiashvili, Violín

Gautier Capuçon, Violonchelo

Jean-Yves Thibaudet, Piano

La casi llegada de la primavera en l'Auditori con Nagano y la OBC

Maria Sánchez, 9th March

El director californiano Kent Nagano y el pianista francés Jean-Yves Thibaudet se dan cita en l’Auditori barcelonés para llevar a cabo una de las propuestas más esperadas de esta temporada

*****

Thibaudet y Ravel en el Auditorio Nacional

Jorge Baeza Stanicic, 5th March

El director francés condujo eficientemente a la Orquesta Nacional hacia un paroxismo de exuberancia orquestal.

***11

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Mahler survives unusual pairing as Sydney Symphony opens new season

Jeremy Eccles, 25th February

Putting Gershwin up against Mahler is a challenge, but Simone Young and Jean-Yves Thibaudet bring it off in the Sydney Symphony's 2026 season opener.

****1

Salonen and the LA Philharmonic take on the forces of nature

Néstor Castiglione, 9th January

Reflections of nature and humanity's place within it in Salonen's 2026 return

****1

Lisa Batiashvili, Gautier Capuçon und Jean-Yves Thibaudet in Berlin

Sebastian Urmoneit, 5th November

Die drei Solist*innen zeigen mit Schostakowitsch, Debussy und Dvořák, warum sie auch ein kongeniales Ensemble sind.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Chameleon colours from Batiashvili, Capuçon and Thibaudet at the Barbican