Sidorova seduces and astounds as Carmen

Por Jonathan Sutherland, 15 julio 2016

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“The rapid changes of rhythm and syncopation in the seguidilla were deliciously crisp”

Crítica hecha desde Dzintari Concert Hall: Great Hall, Jūrmala el 13 julio 2016

Bizet, Carmen: Arias

Piazzolla, Other

Lecuona, Other

Ksenija Sidorova, Acordeón

Roberto Koch, Contrabajo

Claudio Constantini, Piano

Alejandro Loguercio, Violín

Reentko Dirks, Guitarra

Itamar Doari, Percusión

Tango a tres en la Juan March

María Elena Cuenca, 16th May

Tangos y milongas explicados e interpretados por tres grandes artistas en la última velada de los Viernes temáticos de la Fundación Juan March.

****1

Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto

Glyn Mon Hughes, 22nd January

An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga.

****1

Bizet raises the roof at the Pärnu Music Festival

Peter Quantrill, 13th July

The Estonian Festival Orchestra is on scintillating form in a rare outing for Roma, Bizet's own “Italian Symphony”.

****1

Ksenija Sidorova returns to Symphony Hall and Astor Piazzolla

William E Ford, 3rd February

Kalmar and Sidorova pair up for a powerful performance of Piazzolla's Aconcagua in Atlanta.

***11

Less is more! Fitkin und Schostakowitsch beim London Chamber Orchestra

Michael Klier, 25th February

Die Streicher des LCO spielten engagiert und hatten sichtlich Spaß am Auf und Ab Graham Fitkins Komposition.

***11

Vasily Petrenko brings Sinbad’s ship to the Mersey

Leighton Jones, 14th March

Liverpool’s Philharmonic Hall was plunged into luscious sunshine with music from across the Tropics. The first half was filled with the sounds of Latin America before a nautical Arabian tour.

****1

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

Ksenija Sidorova seduces and astounds in her Carmen adaptation in Jūrmala