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Ksenija Sidorova seduces and astounds in her Carmen adaptation in Jūrmala

Par Jonathan Sutherland, 15 juillet 2016
Chargement en cours, veuillez patienter...
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“The rapid changes of rhythm and syncopation in the seguidilla were deliciously crisp”
Critique faite à Dzintari Concert Hall: Great Hall, Jūrmala, le 13 juillet 2016
Programme
Bizet, Carmen: Arias
Œuvres de Piazzolla
Lecuona, Other
Artistes
Ksenija Sidorova, Accordéon
Roberto Koch, Contrebasse
Claudio Constantini, Piano
Alejandro Loguercio, Violon
Reentko Dirks, Guitare
Itamar Doari, Percussions
Voir plus de critiques Concert
Tango a tres en la Juan March
María Elena Cuenca, 16th May
Tangos y milongas explicados e interpretados por tres grandes artistas en la última velada de los Viernes temáticos de la Fundación Juan March.
****1
Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto
Glyn Mon Hughes, 22nd January
An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga. 
****1
Bizet raises the roof at the Pärnu Music Festival
Peter Quantrill, 13th July
The Estonian Festival Orchestra is on scintillating form in a rare outing for Roma, Bizet's own “Italian Symphony”.
****1
Ksenija Sidorova returns to Symphony Hall and Astor Piazzolla
William E Ford, 3rd February
Kalmar and Sidorova pair up for a powerful performance of Piazzolla's Aconcagua in Atlanta.
***11
Less is more! Fitkin und Schostakowitsch beim London Chamber Orchestra
Michael Klier, 25th February
Die Streicher des LCO spielten engagiert und hatten sichtlich Spaß am Auf und Ab Graham Fitkins Komposition.
***11
Vasily Petrenko brings Sinbad’s ship to the Mersey
Leighton Jones, 14th March
Liverpool’s Philharmonic Hall was plunged into luscious sunshine with music from across the Tropics. The first half was filled with the sounds of Latin America before a nautical Arabian tour.
****1
Plus de critiques...
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Astor PiazzollaCarmen: AriasClaudio ConstantiniErnesto LecuonaGeorges BizetItamar DoariKsenija Sidorova
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Jonathan Sutherland
Jonathan Sutherland
Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.