Music triumphs over tragedy: Marston’s moving The Cellist

Lauren Cuthbertson and Marcelino Sambé in The Cellist

Marcelino Sambé, Matthew Ball and Lauren Cuthbertson in The Cellist

Lauren Cuthbertson and Marcelino Sambé in The Cellist

Marianela Núñez and Alexander Campbell in Dances at a Gathering

Von Sarah Kirkup, 19 Februar 2020

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Veranstaltung anzeigen

“the cello doesn’t just choose du Pré, it fixates on her and doesn’t let her go”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 17 Februar 2020

The Cellist (Cathy Marston)

Dances at a Gathering (Jerome Robbins)

The Royal Ballet

Andrea Molino, Musikalische Leitung

Hildegard Bechtler, Bühnenbild

Bregje van Balen, Kostüme

Covent Garden Orchester des Royal Opera House

Lauren Cuthbertson, Tanz

Matthew Ball, Tanz

Marcelino Sambé, Tanz

Hetty Snell, Cello

Marianela Núñez, Tanz

Francesca Hayward, Tanz

Yasmine Naghdi, Tanz

Fumi Kaneko, Tanz

Laura Morera, Tanz

Alexander Campbell, Tanz

William Bracewell, Tanz

Federico Bonelli, Tanz

Valentino Zucchetti, Tanz

Luca Acri, Tanz

Robert Clark, Klavier

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The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Northern Ballet’s Jane Eyre: worthy of repeated viewings

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A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.

****1

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The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.

****1

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Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.

****1

Ballett Zürich: Cathy Marston's The Cellist brings love and despair

Maggie Foyer, 30th April

Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense.

****1

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Graham Watts, 11th June

Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.

***11

Weitere Kritiken...

Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.

Music triumphs over tragedy: Marston’s moving The Cellist premiered by The Royal Ballet