Rare and intense drama: Smyth's The Wreckers at Glyndebourne

Karis Tucker (Thurza) and Glyndebourne Chorus

Philip Horst (Pasko), Karis Tucker (Thurza)

James Rutherford (Laurent), Philip Horst (Pasko), Karis Tucker (Thurza) and Chorus

Por David Karlin, 22 mayo 2022

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Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 21 mayo 2022

Smyth, The Wreckers (sung in French)

Glyndebourne Festival Opera

Robin Ticciati, Dirección

Melly Still, Dirección de escena

Ana Inés Jabares-Pita, Diseño de escena, Diseño de vestuario

Malcolm Rippeth, Diseño de iluminación

London Philharmonic Orchestra

The Glyndebourne Chorus

Akhila Krishnan, Videoarte

Philip Horst, Pascoe

Karis Tucker, Thirza

James Rutherford, Lawrence

Rodrigo Porras Garulo, Mark

Lauren Fagan, Avis

Donovan Singletary, Harvey

Jeffrey Lloyd-Roberts, Tallan

Marta Fontanals-Simmons, Jack

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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Rare and intense drama on the Cornish coast: Dame Ethel Smyth's The Wreckers at Glyndebourne