Rare and intense drama: Smyth's The Wreckers at Glyndebourne

Par David Karlin, 22 mai 2022

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Critique faite à Glyndebourne Opera House, Glyndebourne, le 21 mai 2022

Smyth, The Wreckers (sung in French)

Glyndebourne Festival Opera

Robin Ticciati, Direction

Melly Still, Mise en scène

Ana Inés Jabares-Pita, Décors, Costumes

Malcolm Rippeth, Lumières

London Philharmonic Orchestra

The Glyndebourne Chorus

Akhila Krishnan, Vidéaste

Philip Horst, Pascoe

Karis Tucker, Thirza

James Rutherford, Lawrence

Rodrigo Porras Garulo, Mark

Lauren Fagan, Avis

Donovan Singletary, Harvey

Jeffrey Lloyd-Roberts, Tallan

Marta Fontanals-Simmons, Jack

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Rare and intense drama on the Cornish coast: Dame Ethel Smyth's The Wreckers at Glyndebourne