Seong-Jin Cho shows maturity and subtlety in Verbier recital

Por Mark Thomas, 23 julio 2018

Descargando, espere, por favor...

Ver la programación

“tongue-in-cheek wit, fingers dancing mischievously over the keys”

Crítica hecha desde Eglise de Verbier, Verbier el 23 julio 2018

Debussy, Images, Set 1

Schumann, Fantasiestücke, Op.12

Debussy, Images, Set 2

Chopin, Sonata para piano núm. 3 en si menor, op. 58

Seong-Jin Cho, Piano

Emotivo fin de temporada de la OSG con Seong-Jin Cho y Slobodeniouk

Pablo Sánchez Quinteiro, 10th June

Tras diez años juntos y avanzando hacia la excelencia Dima Slobodeniouk cierra su etapa con la Sinfónica de Galicia en un concierto para el recuerdo.

*****

Intenso debut de Seong-Jin Cho en el Ciclo de Grandes Intérpretes

Jorge Baeza Stanicic, 10th November

El joven pianista Seong-Jin Cho, ganador del Concurso Chopin en 2015, aborda en el Ciclo Scherzo un programa brillante y complejo.

***11

La Mahler Chamber Orchestra inaugura el Festival de Santander

Ramón del Buey Cañas, 3rd August

La Mahler Chamber Orchestra inaugura la 68 edición del Festival Internacional de Santander con Jakub Hrůša en la direccion.

****1

Spacious Prokofiev from Seong-Jin Cho and the Munich Philharmonic

SangKwon Lee, 6th May

Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.

***11

Poetry and precision: Seong-Jin Cho returns to Carnegie Hall

Susan Stempleski, 12th April

A little over a year after his marathon all-Ravel recital at the Hall, the Korean pianist returns with an exquisitely performed program of Bach, Schoenberg, Robert Schumann and Chopin.

*****

Borodin steps into the symphonic limelight: Noseda and the LSO

Mark Pullinger, 15th February

Seong-Jin Cho continues his Artist Portrait series with the LSO by performing Chopin's poetic Second Piano Concerto.

****1

Más críticas...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).