Lush Holmès, youthful Mendelssohn and thrilling Berlioz from Gabel

Noa Wildschut and Fabien Gabel

Por David Smythe, 29 mayo 2022

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“Wildschut took a contemplative, restrained and refreshingly unshowy approach”

Crítica hecha desde Usher Hall, Edinburgh el 27 mayo 2022

Holmès, La Nuit et l'amour

Mendelssohn, Concierto para violín en mi menor, Op.64

Bach, Violin partita no. 1 in B minor, BWV1002: Sarabande

Berlioz, Symphonie fantastique, op. 14

Royal Scottish National Orchestra

Fabien Gabel, Dirección

Noa Wildschut, Violín

Elgarian emotion from the Benedetti, Karabits and the RSNO

Simon Thompson, 15th May

Nicola Benedetti’s Elgar is a slow burn in Edinburgh’s Usher Hall, but Kirill Karabits’ Firebird instantly ignites.

****1

Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO

Simon Thompson, 24th April

On a return visit to the Royal Scottish National Orchestra, John Wilson shapes A London Symphony with melancholy sweep.

****1

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Felix Klieser plays Strauss with the RSNO, before Bruckner exodus

Simon Thompson, 21st February

Felix Klieser is quietly remarkable as he plays Strauss' First Horn Concerto with the RSNO, but why did so many people walk out during Bruckner's Eighth Symphony?

****1

Giedrė Šlekytė conducts the RSNO in passionate, exciting Mahler

Simon Thompson, 5th December

Giedrė Šlekytė makes a stellar conducting debut with the RSNO, while violinist Nemanja Radulović has a great look but a disappointingly ordinary sound.

****1

Mahler magic: RSNO opens season with the Seventh Symphony

Simon Thompson, 3rd October

The Royal Scottish National Orchestra and Thomas Søndergård open their season, continuing their Mahler cycle, with the Seventh Symphony.

****1

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.

Fabien Gabel conducts lush Holmès, youthful Mendelssohn and thrilling Berlioz