First and Second Viennese School side by side in the Elbphilharmonie

Por Alexander Hall, 28 febrero 2020

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“the final ascent heavenwards into the ethereal regions of his upper register was perfectly judged”

Crítica hecha desde Elbphilharmonie: Grand Hall, Hamburg el 27 febrero 2020

Webern, Im Sommerwind, Idyll for large orchestra after a work by Bruno Wille

Berg, Violin Concerto "To the Memory of an Angel"

Brahms, Sinfonía núm. 3 en fa mayor, Op.90

Frank Peter Zimmermann, Violín

NDR Elbphilharmonie Orchester

Alan Gilbert, Dirección

Gilbert y NDR Elbphilharmonie en el Palau: el arte de acompañar

Miquel Martínez, 13th November

La temporada Palau 100 se abre con un grandioso concierto a cargo de la NDR Elbphilharmonie que incluía la Séptima sinfonía de Bruckner y el Segundo concierto de violín de Bartók a cargo de Leonidas Kavakos.

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La Orquesta Elbphilharmonie llena de misterio el Festival de Santander

Matteo Conti, 21st August

La orquesta de la NDR alemana sumergió al público de la sala Argenta de Santander en un mar de emociones que fluyeron desde la inconclusa y dramática Décima de Mahler, hasta la bucólica segunda sinfonía de Brahms, pasando por una selección de lieder del compositor vienés.

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Bychkov's uneven Mahler 8 at the Elbphilharmonie

Alexander Hall, 11th April

Doing justice to the vast scale of Mahler's "Symphony of a Thousand" is itself the mightiest of tasks. Semyon Bychkov and his NDR forces only partially succeed.

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A searingly powerful Duke Bluebeard's Castle at the Elbphilharmonie

Alexander Hall, 9th February

Alan Gilbert and his NDR Elbphilharmonie Orchester partner first Igor Levit, and then Michelle DeYoung and Gerald Finley, in a night of outstanding music-making devoted to the music of Bartók.

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Two Sergeis with Vinnitskaya and Valčuha at the Elbphilharmonie

Alexander Hall, 14th September

Rachmaninov and Prokofiev not only shared a first name. In their individual ways they helped define Russianness too. Anna Vinnitskaya, Juraj Valčuha and the NDR Elbphilharmonie Orchester are here the exponents.

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Music that makes the flesh creep: Kochanovsky's powerful Prokofiev 6

Alexander Hall, 20th April

Three diverse works written within 15 years of each other, by Kodály, Poulenc and Prokofiev, given with panache by the NDR Elbphilharmonie Orchestra, the amazing Jussen brothers and Stanislav Kochanovsky.

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.