Angels and demons: Giovanna d'Arco marks a Rome reopening

Por Elena Luporini, 18 octubre 2021

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“Nino Machaidze took hold of Giovanna’s conflicted nature and stayed true to it”

Crítica hecha desde Teatro Costanzi, Teatro dell'Opera, Roma el 17 octubre 2021

Verdi, Giovanna d'Arco (Joan of Arc)

Teatro dell'Opera di Roma

Daniele Gatti, Dirección

Davide Livermore, Dirección de escena, Coreografía

Francesco Meli, Carlo VII

Roberto Frontali, Giacomo

Nino Machaidze, Giovanna

Dmitry Belosselskiy, Talbot

Coro del Teatro dell'Opera di Roma

Ballo del Teatro dell'Opera di Roma

Orchestra del Teatro dell'Opera di Roma

Grigolo shines in a mixed new Roméo et Juliette at the Opera di Roma

Pia Maltri, 28th April

With its 1940s setting, Luca Del Fusco’s direction alienates in a new production of Gounod's Shakespeare-inspired opera.

***11

Handel’s Il trionfo del tempo e del disinganno returns to Rome

Pia Maltri, 7th April

Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.

****1

Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

Pia Maltri, 1st March

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.

****1

Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere

Pia Maltri, 19th February

The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.

***11

Livermore’s successful Bohème opens at the Teatro dell'Opera di Roma

Pia Maltri, 14th January

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold.

****1

Wagner’s Lohengrin finally returns – swanless – to Rome

Pia Maltri, 27th November

Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.

***11

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Elena Luporini

After completing their Master's degree in Musicology in Rome, Elena has now moved to Berlin to dedicate themselves to more things musical. With a publication on Béla Bartók and a seminar at the Humboldt-Universität underway, their interests mostly veer toward 20th-century opera, with some forays into queer musicology. Some of their latest undertakings also include oboe lessons, stencil-making and tea-making.

Angels and demons: Giovanna d'Arco marks the reopening of Rome's Teatro Costanzi