An engaging evening of Haydn with the Castalian Quartet

Por Mark Pullinger, 18 abril 2018

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“lithe, crisp accounts that never felt too weighty nor too rushed”

Crítica hecha desde Wigmore Hall, Londres el 17 abril 2018

Haydn, String Quartet no. 60 in G major, Op.76 no.1, Hob III:75

Haydn, String Quartet no. 61 in D minor "Fifths," Op.76 no.2, Hob III:76

Haydn, String Quartet no. 62 in C major "The Emperor", Op.76 no.3, Hob III:77

Castalian String Quartet

A constellation of quartets end the East Neuk Festival

Simon Thompson, 29th June

Sixteen of the finest string players around join forces on one stage to end the East Neuk Festival in a grand finale.

****1

A Brahms clarinet feast from Michael Collins at Wigmore Hall

Mark Pullinger, 6th January

Brahms wrote four of the greatest works in the clarinet repertoire for his friend Richard Mühlfeld. The indefatigable Michael Collins performed three of them in the latest recital in Stephen Hough's Brahms residency.

*****

British Quartets: The Castalian Quartet at the Cheltenham Music Festival

Alexandra Hamilton-Ayres, 8th July

This Cheltenham Festival concert featured three British string quartets by Hugh Wood, Michael Nyman and Giles Swayne. Swayne and Wood were both present at the concert and gave an introductory talk providing context for their works. Swayne said in the talk that ‘music should be unpredictable to keep the listener interested’.

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Brunello transita entre Bach y Weinberg un concierto pleno de carácter

Leonardo Mattana Ereño, 10th April

Mario Brunello recorrió obras de Bach y Weinberg en una interpretación plena de personalidad, cuyo carácter unitario mostraba voluntad por ofrecer una experiencia viva.

****1

Precioso homenaje del Grup Instrumental de València a György Kurtág

Daniel Martínez Babiloni, 1st April

Ell Grup Instrumental de València presentó un programa de marcado carácter narrativo en homenaje al compositor György Kurtág.

****1

Herrewegue dirige una excepcional Pasión según san Mateo

Jorge Baeza Stanicic, 31st March

Philippe Herreweghe ofreció una versión de la Pasión según san Mateo al frente del coro y la orquesta Collegium Vocale Gent de notable factura, emocionante y extremadamente expresiva.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

The art of good conversation: an engaging evening of Haydn with the Castalian Quartet