An engaging evening of Haydn with the Castalian Quartet

Von Mark Pullinger, 18 April 2018

Laden, bitte warten...

Veranstaltung anzeigen

“lithe, crisp accounts that never felt too weighty nor too rushed”

Rezensierte Veranstaltung: Wigmore Hall, London, am 17 April 2018

Haydn, Streichquartett Nr. 60 G-Dur, Op.76 Nr.1, Hob III:75

Haydn, Streichquartett Nr. 61 d-Moll "Fifths," Op.76 Nr. 2, Hob III: 76

Haydn, Streichquartett Nr. 62 C-Dur "Kaiserquartett", Op.76 Nr. 3, Hob III: 77

Castalian String Quartet

A constellation of quartets end the East Neuk Festival

Simon Thompson, 29th June

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Mark Pullinger, 6th January

Brahms wrote four of the greatest works in the clarinet repertoire for his friend Richard Mühlfeld. The indefatigable Michael Collins performed three of them in the latest recital in Stephen Hough's Brahms residency.

*****

British Quartets: The Castalian Quartet at the Cheltenham Music Festival

Alexandra Hamilton-Ayres, 8th July

This Cheltenham Festival concert featured three British string quartets by Hugh Wood, Michael Nyman and Giles Swayne. Swayne and Wood were both present at the concert and gave an introductory talk providing context for their works. Swayne said in the talk that ‘music should be unpredictable to keep the listener interested’.

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Rattle und das BRSO im Wiener Musikverein: keine Spur von Routine

Thomas Schacher, 13th May

Im Rahmen einer Frühjahrstournee gastierte das Münchner Orchester mit seinem Chefdirigenten auch in Wien. Mit Schumanns Zweiter und Strawinskys Feuervogel feierten die Gäste vor begeistertem Publikum einen wahren Triumph.

*****

Erlösung und musikalisches Koffein: Nelsons dirigiert Mahler 8 in Wien

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Sonntagmorgen mit Mahler im Wiener Konzerthaus: Andris Nelsons beschließt seinen Symphoniezyklus mit den Wiener Philharmonikern auf überwältigende Weise.

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EUBO und Rousset in Darmstadt: Barockliebe und Künstlerleben

Jens Klier, 9th May

In mehrerlei Hinsicht bildete die diesmalige Jahrgangseröffnung des European Union Baroque Orchestra bei der Deutschen Philharmonie Merck eine besonders beachtliche Verbunddichte.

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Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

The art of good conversation: an engaging evening of Haydn with the Castalian Quartet