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“Zur Rosenzeit, delivered with full operatic volume and tremendous theatrical power”
Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 14 septiembre 2023
Grieg, Der gynger en båd på bølge, Op.69 no.1
Grieg, Til min dreng, Op.69 no.2
Grieg, Drømme, Op.69 no.5
Grieg, Dereinst, Gedanke mein Op.48 no. 2
Grieg, Zur Rosenzeit, Op.48 no.5
Grieg, Ein Traum Op.48 no. 6
Verdi, Un ballo in maschera: Morró, ma prima in grazia
Verdi, Otello: Ave Maria
Sibelius, Den första kyssen (The First Kiss), Op.37 no.1
Sibelius, Var det en dröm (Was It a Dream?), Op.37 no.4
Sibelius, Flickan kom ifrån sin älsklings möte (The girl comes from meeting her lover), Op.37 no.5
Sibelius, Svarta rosor (Black Roses), Op.36 no.1
Wagner, Tannhäuser: Dich teure Halle
Chaikovskiï, The Queen of Spades (Pique Dame): Uzh polnoch blizitsya... Akh! istomilas ya gorem (Lisa's Act 3 aria)
Schubert, An die Musik, in D major, D.547
Schubert, Gretchen am Spinnrade (Goethe), D.118
Schubert, Erlkönig (Goethe), D.328
Schubert, Am Tage Aller Seelen (Jacobi), D.343
Strauss R., Zueignung (Dedication), Op.10 no.1
Strauss R., Allerseelen (All Souls' Day), Op.10 no.8
Strauss R., Cäcilie, Op.27 no.2
Strauss R., Befreit (To set free), Op.39 no.4
Strauss R., Morgen! Op.27 no.4
Kálmán, Czardasfüsrstin: Heia, in den Bergen
Loewe, My Fair Lady: I could have danced all night
Puccini, Tosca: Vissi d'arte
Grieg, Våren (Spring), Op.33 no.2
Lise Davidsen, Soprano
James Baillieu, Piano
