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Venue: Lincoln Center, New York City

Fact file
Address165 W. 65th Street
New York City
NY 10023
United States
ContainsLincoln Center, Rose Building: Daniel and Joanna S. Rose Studio
Alice Tully Hall
Clark Studio Theater
David Geffen Hall
David H Koch Theater
Fordham University, 12th Floor Lounge
Metropolitan Opera House
New York State Theater
Stanley H Kaplan Penthouse
Walter Reade Theater
Google maps40° 46' 26.830" N 73° 59' 2.841" W
July 2020
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03040506070809
Evening performance
Matinee performance
Upcoming eventsSee more...

New York CitySwan Lake

American Ballet Theatre
Tchaikovsky: Swan Lake
Kevin McKenzie; Marius Petipa; Lev Ivanov; American Ballet Theatre; Zack Brown; Duane Schuler

New York CityFall Gala

New York Philharmonic
Bruch, Beethoven
New York Philharmonic Orchestra; Jaap van Zweden; Itzhak Perlman

New York CityProject 19 Jaap van Zweden conducts: World Premiere by Joan Tower and Mozart with artist-in-residence Chick Corea

New York Philharmonic
Tower, Mozart, Mussorgsky
New York Philharmonic Orchestra; Jaap van Zweden; Chick Corea

New York CityProject 19 Jaap van Zweden Conducts: World Premiere by Jessie Montgomery

New York Philharmonic
Montgomery, Szymanowski, Dvořák
New York Philharmonic Orchestra; Jaap van Zweden; Lisa Batiashvili

New York CityKravis Nightcap Series curated by Jessie Montgomery

New York Philharmonic
Jessie Montgomery; Nadia Sirota

New York CityJaap Van Zweden Conducts: Emanuel Ax in John Adams's Century Rolls

New York Philharmonic
Beethoven, Adams
New York Philharmonic Orchestra; Jaap van Zweden; Emanuel Ax

New York CityManfred Honeck conducts: Tchaikovsky with Beatrice Rana

New York Philharmonic
Tchaikovsky
New York Philharmonic Orchestra; Manfred Honeck; Beatrice Rana

New York CityGianandrea Noseda conducts: Rachmaninov with Francesco Piemontesi

New York Philharmonic
Respighi, Rachmaninov, Berlioz
New York Philharmonic Orchestra; Gianandrea Noseda; Francesco Piemontesi
Latest reviewsSee more...

Louis Langrée makes his New York Philharmonic debut

Louis Langrée © A. J. Waltz

Three of the pieces that Louis Langrée conducted in his New York Philharmonic debut concerts were similarly atmospheric and impressionistic, stealing each other’s thunder. Happily, the Scriabin was cathartic.

***11
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François Girard's new Fliegende Holländer disappoints at The Met

Evgeny Nikitin (Holländer) © Ken Howard | Met Opera
François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.
***11
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Welser-Möst leads the New York Philharmonic in Widmann and Strauss

Franz Welser-Möst conducts the New York Philharmonic © Steven Pisano for Bachtrack
In his first New York Philharmonic engagement since 2000, Franz Welser-Möst pairs Jörg Widmann's Babylon Suite with Strauss' Sinfonia domestica
****1
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Iván Fischer focuses on the big picture in Mahler 5 at Lincoln Center

Iván Fischer © Akos Stiller
The players of the Budapest Festival Orchestra once again proved themselves to be a remarkably cohesive ensemble.
****1
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Ellen Reid premiere and Renée Fleming steal the show from Bruckner 4

Renée Fleming © Andrew Eccles

Ellen Reid’s evocative new work and Renée Fleming’s set of songs from her album “Distant Light” were the highlights of a program that included an uninspiring Bruckner Fourth Symphony.

***11
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A musically ideal Così in The Met's revival

Luca Pisaroni (Guglielmo) and Serena Malfi (Dorabella) © Jonathan Tichler | Met Opera
Phelim McDermott’s Coney Island Così fan tutte returns to The Met, in sparkling vocal performances. 
****1
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Stunning Brahms from Janine Jansen eclipses NY Phil premiere

Janine Jansen and the New York Philharmonic © Steven Pisano for Bachtrack

Janine Jansen and the New York Philharmonic gave a transcendent, once-in-a-lifetime performance of the Brahms Violin Concerto. Tania Leòn’s new work and a Strauss suite paled in comparison.

*****
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Danish String Quartet performs Beethoven’s Razumovsky Quartets

Danish String Quartet © Tristan Cook
Overall, the performance kept a wonderful equilibrium between color and structure, humor and tragic sentiment, self-confidence and doubt.
*****
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