Lisztian tempests: Marc-André Hamelin at Wigmore Hall

Por Mark Pullinger, 20 junio 2016

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“dazzling fistfuls of notes ripped from the keyboard”

Crítica hecha desde Wigmore Hall, Londres el 19 junio 2016

Liszt, Apparition S 155, no. 1

Liszt, 2 Konzertetüden: Waldesrauschen (forest murmurs), S 145 no. 1

Liszt, 3 Concert Etudes: Un sospiro, S 144 no. 3

Liszt, Concert Paraphrase on Ernani II, S 432

Liszt, Réminiscences de Norma, S 394

Feinberg, Piano Sonata no.2 in A minor, Op.2

Feinberg, Piano Sonata no.1 in A major, Op.1

Lyapunov, 12 transcendental studies, Op.11, no. 10: Lesghinka

Lyapunov, 12 transcendental studies, Op.11, no. 12: Elégie en Mémoire de François Liszt

Schubert, Impromptu no. 2 in A flat major, D.935

Haydn, Other

Marc-André Hamelin, Piano

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

The sublime and the rambunctious: Marc-André Hamelin in Sydney recital

Zoltán Szabó, 15th September

Two mighty piano sonatas bookend Marc-André Hamelin's concert at Sydney's City Recital Hall.

****1

Marc-André Hamelin aux Jacobins : un engagement de chaque instant

Thibault d'Hauthuille, 25th September

Il n'y a pas eu de round d'observation dans le récital Haydn-Beethoven-Medtner-Rachmaninov du pianiste canadien au festival toulousain.

****1

Memory and timelessness: Marc-André Hamelin’s poetic piano wizardry

Michelle Assay, 23rd February

Canadian superstar pianist Marc-André Hamelin amazes and moves while hardly breaking sweat in recital at London's Southbank Centre.

*****

Takács Quartet explores folk-inflected repertoire in Cleveland

Sam Jacobson, 23rd January

At the Cleveland Chamber Music Society, the Takács Quartet collaborates with Marc-André Hamelin in works by Price and Dvořák.

***11

Hamelin’s bracing Ives anchors memorable Cleveland recital

Sam Jacobson, 19th November

Marc-André Hamelin opens his recital with the uncompromising demands of Ives’ Concord Sonata, followed by suites of Schumann and Ravel.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.