Available Light

Por Jaime Robles, 05 febrero 2017

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“For Childs, beauty lay in that very intense connection between the dancers”

Crítica hecha desde UC Berkeley, Zellerbach Hall, Berkeley el 3 febrero 2017

Available Light (Lucinda Childs)

Lucinda Childs Dance Company

(La) Horde tape dans le mille avec Roommates au Centquatre

Julie Jozwiak, 2nd April

Dans le cadre du festival Séquence Danse, le Ballet national de Marseille et son collectif de directeurs artistiques ont proposé un spectacle ambitieux et intelligent en six temps.

****1

The marvelous, disarming Sons of Echo at the Joyce Theater

Carla Escoda, 14th January

A rare opportunity to see five male ballet superstars – notably Alban Lendorf, in great form long after injury sidelined him – in an intimate theater, in work exclusively by women.

****1

The inspired and the prosaic at Fall for Dance at New York City Center

Carla Escoda, 20th September

A perfect triple bill became a less perfect quadruple bill. Brilliant performances by dancers from Gibney, kNoname Artist, Paris Opera étoiles rarely seen in New York and – a rarity these days – live musicians.

****1

Four New Works by Lucinda Childs: classic postmodernism

Katja Vaghi, 7th December

Lucinda Childs presents four new works at the Haus der Berliner Festspiele, appearing on stage as a youthful 84, in one of them.

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Die Mischung macht’s: eine junge alte Salome an der Volksoper Wien

Snapdragon, 22nd September

Die Volksoper holt mit Luc Bondys Salome eine altbewährte Inszenierung ans Haus. Trotzdem bleibt dieses Werk spannend, gerade wenn man eine umwerfende Salome wie Astrid Kessler zur Verfügung hat.

***11

Reaching for the light: Arvo Pärt and Robert Wilson's Adam's Passion

Alissa Balocco, 31st March

For the first time in Italy the opera that brings together the spiritual music of the Estonian composer and the minimalist direction of Robert Wilson.

****1

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Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.

The revival of Available Light