Netrebko and Lučić reign in New York

Por Mark Pullinger, 25 septiembre 2014

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“this was a no holds barred performance, utterly thrilling in its intensity”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 24 septiembre 2014

Verdi, Macbeth

Metropolitan Opera

Fabio Luisi, Dirección

Adrian Noble, Dirección de escena

Mark Thompson, Diseño de vestuario, Diseño de escena

Željko Lučić, Macbeth

Anna Netrebko, Lady Macbeth

René Pape, Banquo

Joseph Calleja, Macduff

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

Singers bring passion and excitement to Met’s Andrea Chénier revival

Susan Stempleski, 24th November

The Metropolitan Opera kicks off this season’s revival of Umberto Giordano’s tempestuous melodrama with standout performances from a resplendent cast.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

The Macbeths triumph at The Met: Netrebko and Lučić reign in New York