A magician at Lincoln Center: Martin Fröst

Por Edward Sava-Segal, 14 diciembre 2018

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“With his clarinet moving like a magic wand, Fröst seems to hypnotize his audience”

Crítica hecha desde Lincoln Center: Alice Tully Hall, Nueva York el 12 diciembre 2018

Poulenc, Sonata en si bemol mayor para clarinete y piano, FP 184

Bartók, 6 Romanian Folk Dances, Sz 56

Brahms, Hungarian Dance no. 1 in G minor (arr. Fröst & Måwe)

Brahms, Hungarian Dance no. 13 in D major (arr. Fröst & Måwe)

Brahms, Hungarian Dance no. 21 in E minor (arr. Fröst & Måwe)

Brahms, Mädchenlied (Girl's Song), Op.85 no.3

Brahms, Wie Melodien zieht es mir (As If Melodies Were Moving), Op.105 no.1

Brahms, Vergebliches Ständchen (Fruitless Serenade), Op.84 no.4

Brahms, Sonata para clarinete núm. 2 en mi bemol mayor, op. 120

Martin Fröst, Clarinete

Henrik Måwe, Piano

Las últimas palabras de la Orquestra de Cadaqués

David Santana Cañas, 12th December

La Orquestra de Cadaqués ofrece su último concierto en el Auditorio Nacional acompañada por Martin Fröst y el Coro Estatal de Letonia.

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Israel Philharmonic makes long awaited Elbphilharmonie debut

Mengguang Huang, 3rd November

The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.

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Martin Fröst interpretiert Anna Clynes Klarinettenkonzert

Thomas Schacher, 23rd October

Das Tonhalle-Orchester unter der Leitung des Gastdirigenten Cristian Măcelaru bringt neben der Zürcher Erstaufführung von Weathered auch die fünfte Symphonie von Prokofjew zur Aufführung.

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Cool cat: Martin Fröst purrs at the BBC Proms

Mark Pullinger, 31st July

The Swedish clarinettist pays tribute to two jazz legends in Joshua Weilerstein's programme that includes Proms debutante, Elsa Barraine, and Rachmaninov.

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Evocative Beamish and commanding Prokofiev from Noseda and the LSO

Nick Boston, 20th June

Sally Beamish's Distans received its UK premiere, along with the Seventh Symphony in Noseda's ongoing Prokofiev cycle with the LSO.

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Lahav Shani sculpte Mahler dans le marbre de l'Orchestre de Paris

Erwan Gentric, 17th January

Après un Concerto pour clarinette de Mozart rendu hyper expressif par le jeu de Martin Fröst, l'Orchestre de Paris et Lahav Shani ont livré une Sixième de Mahler nuancée mais quelque peu ennuyeuse.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.