Sensitivity and meticulous grace: Igor Levit debuts with the National Symphony Orchestra

Por Hilary Stroh, 22 noviembre 2015

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Crítica hecha desde Kennedy Center: Concert Hall, Washington el 21 noviembre 2015

Mozart, Sinfonía núm. 38 en re mayor, "Praga", K504

Martinů, Symphony no. 6, "Fantaisies symphoniques” H 343

Beethoven, Concierto para piano núm. 5 en mi bemol mayor "Emperador", Op.73

Shostakovich, Dances of the Dolls

National Symphony Orchestra

Jiří Bělohlávek, Dirección

Igor Levit, Piano

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

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Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

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Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

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NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

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National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

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Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.