Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

James Ehnes and the National Symphony Orchestra

Gianandrea Noseda conducts the National Symphony Orchestra

Por Susan Stempleski, 15 febrero 2024

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“splendidly executed double-stops and fast detaché passages”

Crítica hecha desde Carnegie Hall: Stern Auditorium, Nueva York el 12 febrero 2024

Berg, Lyric Suite

Korngold, Concierto para violín en re mayor, Op.35

Ysaÿe, Violin Sonata no. 3 in D minor "Ballade", Op.27 no.3

Bach, Violin sonata no. 3 in C major, BWV1005: Largo

Beethoven, Sinfonía núm. 3 en mi bemol mayor "Heroica", Op.55

National Symphony Orchestra

Gianandrea Noseda, Dirección

James Ehnes, Violín

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

*****

Tetzlaff redefines clarity with the National Symphony Orchestra

Sydney Boyd, 24th January

Christian Tetzlaff proves once again why audiences can’t get enough of his sound in a program of Dvořák and Schumann with Christoph Eschenbach at the helm.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Lush strings, bright Beethoven: National Symphony Orchestra and Noseda at Carnegie Hall