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Royal Ballet School, School of American Ballet: the future is exceptional

The Royal Ballet School in Ninette de Valois’ The Arts of the Theatre
© THe Royal Ballet School. Photographed by Rachel Cherry
The Royal Ballet School in Frederick Ashton’s Rhapsody
© The Royal Ballet School. Photographed by Rachel Cherry
Royal Ballet School students perform Whispers of the Core by student, Shiori Yamashita
© The Royal Ballet School. Photographed by Rachel Cherry.
Students of the School of American Ballet in Balanchine’s Valse Fantaisie
© Rosalie O'Connor
School of American Ballet’s Renée Augustyn and Ador Kadiasi in Balanchine’s Who Cares?
© Rosalie O'Connor
The Royal Ballet School students perform Romeo and Juliet by Kenneth MacMilllan
© The Royal Ballet School. Photographed by Rachel Cherry
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“In many ways the two types of training could not be more different”
Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 18 junio 2026
Mixed Programme
Who Cares? (George Balanchine)
Valse-Fantasie (George Balanchine)
Les Bourgeois (Ben van Cauwenbergh)
Rhapsody (Sir Frederick Ashton)
The Royal Ballet School
School of American Ballet
El ballet neoclásico viste de gala al Teatro Real:
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At NYCB, Fairchild bids adieu in her final performances of Coppélia
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Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
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Mira Nadon’s sparkling debut in Firebird with New York City Ballet
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Ballet for cowboys and soldiers at Kansas City Ballet
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American Ballet Theatre's double bill is short and sweet in New York
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