Foreseeable Future is aimless movement to aimless music at NYCB

Megan Fairchild in Alexei Ratmansky's Voices

Mia Williams and KJ Takahashi in Gianna Reisen's Composer's Holiday

Tiler Peck and Roman Mejjia in Forsythe's Herman Schmerman Pas de Deux

New York City Ballet in Jamar Roberts’ Forseeable Future

Sara Mearns and Taylor Stanley in Jamar Roberts’ Forseeable Future

Por Ivy Lin, 11 octubre 2025

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“this added a much needed dose of cheeky fun into the ballet”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 9 octubre 2025

Voices (Alexei Ratmansky)

Composer's Holiday (Gianna Reisen)

Herman Schmerman (William Forsythe)

Forseeable Future (World Premiere) (Jamar Roberts)

New York City Ballet

New York City Ballet Orchestra

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

Contemporary escapism at New York City Ballet

Carla Escoda, 1st May

A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)