Ticciati, Ólafsson and Shida Rigolo take their time at Kings Place

Por Danny Riley, 14 mayo 2018

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“Ólafsson took Satie’s pensive Gymnopédie no. 1 to a slow glide”

Crítica hecha desde Kings Place: Hall One, Londres el 11 mayo 2018

Dowland, Time stands still

Satie, Gymnopédie núm. 1

Glass, Études (No. 2,3,9)

Pärt, Spiegel im Spiegel

Beethoven, Sonata para piano núm. 32 en do menor, Op.111

Ticciati, Suspended

Webern, Four Pieces, Op.7

Cage, 4'33"

Bach, Aria variata in A Minor, BWV989

Brahms, Sonata para piano núm. 3 en fa menor, Op.5

Hugo Ticciati, Violín

Víkingur Ólafsson, Piano

Miyoko Shida, Artista 'performance'

Desigual encuentro de Víkingur Ólafsson con las Variaciones Goldberg

Jorge Baeza Stanicic, 7th November

Un sonido virtuoso y una magnífica resolución técnica no lograron compensar un cierto desequilibrio en la interpretación formal de esta obra cumbre del repertorio para teclado.

***11

Feliz final de curso con Alexander Liebreich y la OV

Daniel Martínez Babiloni, 15th June

Alexander Liebreich y la Orquestra de València concluyen la temporada con un concierto brillante.

****1

All about mi : Víkingur Ólafsson conquers Paris

David Karlin, 15th March

In Bach, Beethoven and Schubert, the Icelandic pianist demonstrates how perfect technique and total control can lead to expressivity.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

John Adams leads Americana, past and present, with LA Phil

Néstor Castiglione, 23rd January

Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside one of his most recent works.

*****

Chills and thrills from Pappano and the Czech Philharmonic

Frank Kuznik, 27th November

In expert hands, a terrifying 12-tone opera and a heroic piano concerto rattle the walls in Prague’s Rudolfinum.

*****

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Danny Riley

Danny Riley worked as Bachtrack's content creator from 2017-2018 and is now a freelance contributor. Having also written for sites such as The Quietus and Bandcamp, he loves music of all genres, with a particular fondness for folk and minimalism, and recently completed a PhD on representations of sound in contemporary British poetry.