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Keeping up appearances: Pelléas et Mélisande finally receives its Norwegian première

Par Aksel Tollåli, 10 avril 2017
Chargement en cours, veuillez patienter...
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“Joly embraced the episodic nature of the opera, blurring the transitions between scenes”
Critique faite à Oslo Opera House, Main Stage, Oslo, le 7 avril 2017
Programme
Debussy, Pelléas et Mélisande
Artistes
Norwegian National Opera
Karl-Heinz Steffens, Direction
Barbora Horáková, Mise en scène
Ralph Myers, Décors
Alice Babidge, Costumes
Edward Nelson, Pelléas
Susanna Hurrell, Mélisande
Paul Gay, Golaud
Anders Lorentzson, Arkel
Randi Stene, Geneviève
Aksel Rykkvin, Yniold
Norwegian National Opera Orchestra
Voir plus de critiques Opéra
Wayne McGregor’s Jocasta’s Line offers powerful performances
Maggie Foyer, 13th September
A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.
****1
Alone and in love: Christoph Loy’s compelling new Onegin in Oslo
Aksel Tollåli, 15th February
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
Too many doors: Don Giovanni in Oslo
Aksel Tollåli, 29th May
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
Maybe it’s make-believe: a curious Norma in Oslo
Aksel Tollåli, 20th January
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Into the abyss: a harrowing Wozzeck in Oslo
Aksel Tollåli, 25th November
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
An underwhelming Barber in Oslo
Aksel Tollåli, 14th October
François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming. 
**111
Plus de critiques...
Lire critiques de
Aksel RykkvinAlice BabidgeAnders LorentzsonBarbora HorákováClaude DebussyEdward NelsonIngeborg GilleboKarl-Heinz SteffensNorwegian National OperaNorwegian National Opera OrchestraPaul GayPelléas et MélisandeRalph MyersRandi SteneSusanna Hurrell
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Aksel Tollåli
Aksel Tollåli
Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.