En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alice Babidge

Pretty Yende begeistert als Violetta in Simon Stones erfolgreicher Modernisierung von Verdis Oper.

C’est un accueil triomphal que reçoit cette nouvelle production parisienne de La Traviata, placée sous le double signe de la jeunesse et des réseaux sociaux.

M – a city searches for a murderer, by Moritz Eggert and Barrie Kosky, receives its world premiere at the Komische Oper Berlin.

Brett Dean's Hamlet is an extremely powerful theatrical experience, excelling in all aspects of production, singing and musical values, but is it an opera?

Brett Dean treats Shakespeare's behemoth as a timeless story told in language that has become timeless; no effort is spared in elucidating and amplifying that story.

After over a century, Debussy's Pelléas et Mélisande finally received its Norwegian première in a fascinating production by Barbora Horáková Joly.

The final instalment of the Melbourne Ring is vividly brought to life by excellent singing, an adaptable set, and committed playing from the pit.

A combination of ingenious sets, truly heroic singing in the title role by Stefan Vinke, and excellence throughout the rest of the cast makes the Melbourne Siegfried an unmissible highlight of the Ring so far.

On a night of technical delays and extraordinary singing, Opera Australia's revival of Die Walküre is particularly memorable for Amber Wagner's Sieglinde and Lise Lindstrom's Brünnhilde.

The revival of Neil Armfield's Melbourne Ring is relaunched with a successful Rheingold, sensitively conducted by Pietari Inkinen, with an especially fine performance from Warwick Fyfe as Alberich.