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Keeping up appearances: Pelléas et Mélisande finally receives its Norwegian première

Von Aksel Tollåli, 10 April 2017
Laden, bitte warten...
Veranstaltung anzeigen
“Joly embraced the episodic nature of the opera, blurring the transitions between scenes”
Rezensierte Veranstaltung: Oslo Opera House, Main Stage, Oslo, am 7 April 2017
Programm
Debussy, Pelléas et Mélisande
Darsteller
Norwegian National Opera
Karl-Heinz Steffens, Musikalische Leitung
Barbora Horáková, Regie
Ralph Myers, Bühnenbild
Alice Babidge, Kostüme
Edward Nelson, Pelléas
Susanna Hurrell, Mélisande
Paul Gay, Golaud
Anders Lorentzson, Arkel
Randi Stene, Geneviève
Aksel Rykkvin, Yniold
Norwegian National Opera Orchestra
Weitere Oper Kritiken
Rossini ex machina: La Cenerentola in Oslo
Aksel Tollåli, 21st January
Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.
*****
Wayne McGregor’s Jocasta’s Line offers powerful performances
Maggie Foyer, 13th September
A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.
****1
Alone and in love: Christoph Loy’s compelling new Onegin in Oslo
Aksel Tollåli, 15th February
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
Too many doors: Don Giovanni in Oslo
Aksel Tollåli, 29th May
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
Maybe it’s make-believe: a curious Norma in Oslo
Aksel Tollåli, 20th January
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Into the abyss: a harrowing Wozzeck in Oslo
Aksel Tollåli, 25th November
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
Weitere Kritiken...
Kritiken von
Aksel RykkvinAlice BabidgeAnders LorentzsonBarbora HorákováClaude DebussyEdward NelsonIngeborg GilleboKarl-Heinz SteffensNorwegian National OperaNorwegian National Opera OrchestraPaul GayPelléas et MélisandeRalph MyersRandi SteneSusanna Hurrell
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Aksel Tollåli
Aksel Tollåli
Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.