Bells and decibels: Behzod Abduraimov

Por Mark Pullinger, 17 septiembre 2015

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“The coda, in particular, galloped to its conclusion as if pursued by the very devil himself”

Crítica hecha desde Wigmore Hall, Londres el 16 septiembre 2015

Schubert, Cuatro impromputs, D.935

Liszt, Mephisto Waltz no. 1, "Der Tanz in der Dorfschenke", S 514

Musorgskiï, Cuadros de una exposición

Liszt, Grandes Études de Paganini S 141: no. 3 in G sharp minor, "La Campanella"

Behzod Abduraimov, Piano

Aires eslavos con la NDR Radiophilharmonie en el Festival de Canarias

Ramón Pereira Blanco, 29th January

La orquesta alemana se presentó en el Festival Internacional de Música de Canarias con un programa enteramente ruso que resolvió brillantemente bajo la atenta batuta de su nuevo titular Stanislav Kochanovsky.

****1

Temirkánov y la Filarmónica de San Petersburgo: gelidez tímbrica

Ramón del Buey Cañas, 23rd January

La Filarmónica de San Petersburgo presentó en Madrid de la mano de Ibermúsica, la mayor valedora de la orquesta rusa en España, el Concierto para piano núm. 1 de Beethoven, para el que contó con el arrojo de un propositivo Abduraimov, y la Sinfonía núm. 4 de Chaikovski.

***11

La perfecta caja de música: Tchaikovsky, Abduraimov y Temirkanov

Leonardo Mattana Ereño, 21st January

En la primera cita de 2020 de Ibermúsica se presentaron la legendaria Filarmónica de San Petersburgo, con quien es su director desde 1988, Yuri Temirkanov y el joven pianista Behzod Abduraimov para el Concierto de piano núm. 1 de Tchaikovsky y la Cuarta sinfonía de Brahms.

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Noseda and the NY Philharmonic play exhilarating Shostakovich Four

David Wolfson, 7th January

Gianandrea Noseda conducts the New York Philharmonic in a lovingly crafted, exhilarating rendition of Shostakovich’s gargantuan Fourth Symphony.

****1

Maurice Ravel and Dame Ethel Smyth works premiere in Singapore

Chang Tou Liang, 11th April

Maurice Ravel's Daphnis et Chloé and a prelude from Dame Ethel Smyth's opera The Wreckers are heard for the first time in Singapore.

****1

Han-Na Chang makes long-awaited conducting debut in Sydney

Zoltán Szabó, 8th May

Making her debut on the conductor’s podium, Han-Na Chang’s enthusiastic musicality makes a strong impression at the Sydney Opera House, in Prokofiev’s Piano Concerto no. 2 and Tchaikovsky’s Fifth Symphony.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Bells and decibels: Behzod Abduraimov at Wigmore Hall