Three card trick: La Scala’s gamble pays off in Pique Dame

Asmik Grigorian (Liza)

Najmiddin Mavlyanov (Hermann) and Asmik Grigorian (Liza)

The grand ball, Act 2

Julia Gertseva (Countess)

Najmiddin Mavlyanov (Hermann) and ensemble

Najmiddin Mavlyanov (Hermann) and Julia Gertseva (Countess)

Por Mark Pullinger, 24 febrero 2022

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“the orchestra vodka drenched, with grumbling low woodwinds matching the conductor’s growling”

Crítica hecha desde Teatro alla Scala, Milán el 23 febrero 2022

Chaikovskiï, La dama de picas

Teatro alla Scala

Valery Gergiev, Dirección

Matthias Hartmann, Dirección de escena

Volker Hintermeier, Diseño de escena

Malte Lübben, Diseño de vestuario

Mathias Märker, Diseño de iluminación

Orchestra del Teatro alla Scala

Coro del Teatro alla Scala

Najmiddin Mavlyanov, Herman

Julia Gertseva, The Countess

Asmik Grigorian, Lisa

Roman Burdenko, Tomsky

Alexey Markov, Yeletsky

Elena Maximova, Polina

Alexei Botnarciuc, Surin

Evgeny Akimov, Chekalinsky

Maria Nazarova, Masha

Olga Savova, The Governess

Olga Syniakova, Milovzor

Sergei Radchenko, Chaplitsky

Matías Moncada, Narumov

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Three card trick: La Scala’s gamble pays off in their new Pique Dame