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Valery Gergiev, Conductor

© Valentin Baranovsky
© Valentin Baranovsky
July 2018
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Evening performance
Matinee performance
our interview

Valery Gergiev: “I'm a relatively busy man”

Valery Gergiev conducts the Munich Philharmonic, BBC Proms 2016 © BBC | Chris Christodoulou
Ahead of his appearance with the Munich Philharmonic at this year’s Prom 4, Valery Gergiev gave Bachtrack a wide-ranging interview, discussing the Mariinsky, Russian music, education and much more.
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VerbierOpening concert

Opening concert
Shchedrin, Saint-Saëns, Mendelssohn, Bernstein, Rimsky-Korsakov
Verbier Festival Orchestra; Valery Gergiev; Daniel Lozakovich; George Li; Pretty Yende

Verbier25th Anniversary Gala

25th Anniversary Gala
Verbier Festival Chamber Orchestra; Valery Gergiev; Martha Argerich; Sergei Babayan; Kristóf Baráti; Yuri Bashmet

VerbierAdriana Lecouvreur

Adriana Lecouvreur
Cilea: Adriana Lecouvreur
Valery Gergiev; Tatiana Serjan; Marcelo Puente; Alexey Markov; Ekaterina Semenchuk

SapporoPMF Gala Concert

Holst, Mozart, Bernstein, Mahler
PMF Orchestra; Valery Gergiev; Eugene Izotov; Denis Bouriakov
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An all Russian programme in Birmingham

Denis Matsuev © Pavel Antonov
A night of big names: Valery Gergiev, Denis Matsuev, The Mariinsky Orchestra, Rimsky-Korsakov, Prokofiev, Rachmaninov. 
*****
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Gergiev and his Mariinsky players spin stories at Cadogan Hall

Valery Gergiev © Alberto Venzago
In this second Mariinsky concert Kristóf Baráti was a fine but miscast soloist in Stravinsky’s violin concerto, with rich narrative pickings from Rimsky-Korsakov and his illustrious pupil.
****1
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Youthful Mariinsky surge through Scheherazade

Valery Gergiev © Valentin Baranovsky
Under the indefatigable Valery Gergiev, the Mariinsky Orchestra took to the Cadogan Hall stage for the first of two colourful programmes pairing Nikolai Rimsky-Korsakov with his pupil, Igor Stravinsky.
****1
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Gergiev and the Mariinsky keep the Red Flag flying

Valery Gergiev conducts the Mariinsky Orchestra © BBC | Chris Christodoulou
“Our business is rejoicing, our business is rejoicing.” In the Soviet Union, composers quickly learnt when to toe the Party line.
****1
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