A whiff of incense as the Proms explore Rachmaninov and religion

Por Mark Pullinger, 14 agosto 2017

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“entwined by a creeping bassoon line that crooned like a cantor”

Crítica hecha desde Royal Albert Hall, Londres el 13 agosto 2017

Tradicional, Thy tomb, O Saviour

Rajmáninov, Concierto para piano núm. 3 en re menor, Op.30

Rajmáninov, Vocalise, Op.34 núm. 14

Tradicional, Serene light

Rajmáninov, Sinfonía núm. 2 en mi menor, Op.27

Rajmáninov, Vigilia de toda la noche (Vísperas), Op.37

Alexander Gavrylyuk, Piano

Latvian Radio Choir

BBC Scottish Symphony Orchestra

Thomas Dausgaard, Dirección

Sigvards Kļava, Dirección

Astonishing Mahler 2 from Runnicles and the BBC Scottish

David Smythe, 1st March

Sir Donald Runnicles and the BBC Scottish reunite for an astonishing Mahler 2 with Karen Cargill, Jennifer Davis and the Edinburgh Festival Chorus.

*****

Sweeping Rachmaninov and scorching Barber from the BBC Scottish

Simon Thompson, 8th February

Despite the presence of Rachmaninov's Second Piano Concerto on the bill, it is a gripping performance of Samuel Barber's First Symphony that steals this Usher Hall Sunday matinee.

****1

Meditative and powerful Górecki at Celtic Connections

David Smythe, 20th January

The Celtic Connections festival showcases Górecki’s Sorrowful Songs, the BBC Scottish with soprano Francesca Chiejina conducted by Pawel Kapula with a thoughtful introductory song set from Alice Zawadzki.

****1

Celebrating 90 years of the BBC Scottish Symphony Orchestra

David Smythe, 20th November

Martyn Brabbins conducts MacMillan’s Confession of Isobel Gowdie, BBCSSO founder Ian Whyte’s forgotten Violin Concerto with Stephanie Gonley, and a memorable Rachmaninov 2.

****1

Canellakis brings sparkle and shine to Stravinsky and Bernstein

Simon Thompson, 21st August

Karina Canellakis brings a riot of Technicolor to the Edinburgh International Festival, but countertenor Hugh Cutting threatens to steal the show in Chichester Psalms.

****1

Revelatory Birtwistle and Beethoven from the BBC Scottish SO

Peter Quantrill, 28th July

A composer-conductor's insight yields lasting rewards in Earth Dances and the Eroica at the Royal Albert Hall.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Proms 37/38: A whiff of incense as Dausgaard and the Latvians explore Rachmaninov and religion