Romanticism not admitted: Norrington's Beethoven and Dvořák

Por David Karlin, 04 septiembre 2014

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Crítica hecha desde Royal Albert Hall, Londres el 3 septiembre 2014

Beethoven, Sinfonía núm. 8 en fa mayor, Op.93

Berlioz, Roméo et Juliette, choral symphony, Op.17: Romeo alone

Dvořák, Sinfonía núm. 9 en mi menor, "Del Nuevo Mundo" op. 95

it is now called SWR Symphony Orchestra} Stuttgart Radio Symphony Orchestra{do not use for listings

Sir Roger Norrington, Dirección

Prom 14: Revelatory insights

Tom Hancox, 25th July

Mahler's Ninth Symphony – his last complete work in the genre – was written in 1908-9, against a backdrop of considerable personal tragedy and uncertainty.

***11

Sir Roger, over and out: Norrington bids a fond farewell with Haydn

Mark Pullinger, 18th November

After decades as a period instrument revolutionary, the 87-year old conductor bows out with “Dr Haydn's London Academy”, an entertaining recreation of concert-going in the 1790s.

****1

Roll over Beethoven! Sir Roger Norrington parties like it’s 1985

Mark Pullinger, 28th January

Norrington was at the forefront of the period instrument revolution in Beethoven performance practice. Here, he returned to the Queen Elizabeth Hall with two major key symphonies.

***11

Proms-Atmosphäre an der Salzach: Sir Roger leitet mit Witz und Charme

Michael Vieth, 11th August

Im Festspielkonzert der Camerata Salzburg fasziniert ein altersjunger Roger Norrington mit der Überzeugungskraft klangreinen Musizierens.

****1

Norrington and LPO provide emotion and insight in Dido and Aeneas

Mark Thomas, 30th January

Sir Roger Norrington and a strong cast joined a Baroque-style London Philharmonic Orchestra in a highly accomplished Dido and Aeneas, preceded by Handel’s clean and stately Water Music.

*****

Schnörkellos und doch expressiv: Sir Roger Norrington in Salzburg

Michael Vieth, 13th August

Bei seiner Rückkehr zur Camerata Salzburg begeistert Norrington – sich selbst oft zurücknehmend und genießend – mit Wagner und Schönberg.

*****

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Romanticism not admitted: Norrington's Beethoven and Dvořák in Prom 62