Prom 2: A tentative orchestra but a dazzling soloist

Por Hazel Rowland, 20 julio 2014

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“Zhang avoided flamboyant gestures or distracting showmanship”

Crítica hecha desde Royal Albert Hall, Londres el 19 julio 2014

Elgar, Pomp and Circumstance March no. 4 in G Major, Op.39

Chaikovskiï, Obertura-Fantasía Romeo y Julieta

Liszt, Concierto para piano núm. 1 en mi bemol mayor, S 124

Chen, Joie éternelle (BBC co-commission: UK première )

Musorgskiï, Cuadros de una exposición

Haochen Zhang, Piano

Alison Balsom, Trompeta

China Philharmonic Orchestra

Long Yu, Dirección

Brilliant performance from Serena Wang, but lackluster CPO at the Davies Symphony Hall

Mayumi Wardrop, 4th December

Young prodigy Serena Wang delights audiences in her performance of Beethoven's Piano Concerto no. 1 while the China Philharmonic's cautious approach falls flat.

***11

Le Philhar' voyage malgré le statisme de Yu Long à Radio France

Pierre Michel, 4th March

Virtuose de l'erhu, Li Yiwen a emporté le public dans un concerto de Qigang Chen, avant que Ji-Yoon Park ne donne la réplique dans Tzigane puis Shéhérazade ; mais le chef a laissé un goût d'inachevé au voyage...

***11

Hong Kong Phil revels in Schoenberg’s beefed-up Brahms

Christopher Halls, 17th October

Led by celebrated Chinese conductor Long Yu, the Hong Kong Philharmonic shines in Schönberg’s bold Brahms “makeover” and features two of their own as soloists in a finely contoured performance of the Double Concerto

****1

Prom 57: Shanghai Symphony Orchestra makes its Proms debut

Rohan Shotton, 1st September

The Shanghai Symphony Orchestra bring an entertaining programme of Mozart and Rachmaninov to the Proms, followed by an unexpected “Gift from China to the UK”.

****1

A trio of Slavic works in Hong Kong

Alan Yu, 21st June

The Hong Kong Phil and Long Yu crossing the cultural divide in a trio of Slavic works.

****1

Weaving tales: Long Yu conducts Scheherazade in Hong Kong

Dr. Anton D. Luiten, 15th December

A globally-connected journey of exoticism: Yu Long delivers with Scheherazade.

****1

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Hazel Rowland

Hazel is in her final year reading music at Oxford University. As well being a classical music reviewer, she has written arts commentary for the Oxford Student and reviewed plays at the Edinburgh Fringe Festival. Her particular interests lies in early German Romantic music and in how classical music functions within contemporary popular culture. Follow her blog here.