En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Obertura-Fantasía Romeo y Julieta

La Orquesta Filarmónica Nacional de Rusia muestra su potencia en un concierto en el que la pasión imperó sobre la precisión.

La ONE presentó un programa de estéticas muy diversas, ligado por algunos puntos fundamentales que Eschenbach supo resaltar magistralmente: la persistencia del sonido, el sentido de dramatismo y expresividad que atravesaba todas las piezas, y una tensión que pendió en todo momento de su batuta sin decaer mínimamente en ningún pasaje.

El programa que la Orquesta Sinfónica de Euskadi presentó el pasado martes en el Baluarte de Pamplona tuvo como nota dominante el amor romántico, salpicado por un frenesí contemporáneo.

Ahead of Valentine's Day, the Orchestre symphonique de Montréal presented a concert centered on “symphonic love”.

A doom-laden trip to Dante's Inferno via Shakespeare's star-cross'd lovers and a voyage across the lake to The Isle of the Dead. 

Violinist Gidon Kremer has championed the music of 20th-century Polish composer, Mieczysław Weinberg, whose music, influenced by Shostakovich, has so far been rarely heard. Here, Kremer performed the Violin Concerto.

In the exquisite singing line of the second movement, the appeal was not just in her beauty of tone but in the concentrated feeling Mullova brought to the shaping of each phrase.

Das tschechische Orchester kann bei seinem Gastspiel in der Münchner Philharmonie mit Werken von Smetana, Tschaikowski und Dvořák nicht überzeugen.

Romance and drama fill the air as Elim Chan takes to the podium for the RSNO's Valentine's Concert.

Pour fêter la Saint-Valentin, l’Orchestre National de Lyon propose un programme d’œuvres intensément passionnées, les plus fameuses transportant à la découverte de l'extase.

MTT was back in Los Angeles for another spell as guest, this time bringing to local audiences one of his specialties of the house. 

Gemeinsam mit dem römischen Orchester intepretiert Sol Gabetta temperamentvoll das Cellokonzert von Édouard Lalo.

Conductor Alpesh Chauhan and pianist Pavel Kolesnikov returned to Birmingham with an Italian themed programme. Could they build on the success of their previous performances with the CBSO?   

Gustavo Gimeno überzeugt als ausdrucksstarker Dirigent, während man von Eva-Maria Westbroeks begnadeter Musikalität aus der Realität entführt wird.

Stephen Mulligan again steps in to lead the Atlanta Symphony in exemplary performances.

The remarkable youth orchestra that is the Waseda Symphony from Tokyo performs a programme of western Romantic music conducted by Kazufumi Yamashita together with a knockout contemporary Japanese work.

All except stylistic purists should add ‘Lisitsa live in a Rachmaninov Concerto’ to their musical bucket list.

The Royal Northern Sinfonia and Olli Mustonen push Shostakovich to the brink of insanity, and suprise with Mozart's 'Coronation' Concerto.

Alexander Dmitriev and the St Petersburg Symphony Orchestra paraded passionate and colourful Tchaikovsky, while the masterful Peter Donohoe gave a potent and intricate Rachmaninov.

Lahav Shani leads a lavish All-Russian affair that took a while to gel on its third outing in a week in Manchester.

The Bournemouth Symphony Orchestra produced wonderfully supportive playing for pianist Alexander Romanovsky in Rachmaninov’s youthful First Piano Concerto and vividly brought to life Martinů’s Fourth Symphony.

Shakespearean actors join the National Symphony Orchestra to open its season with first of two concerts celebrating the Bard.

After a stirring Marseillaise, a sombre mood hung over the first half of this Proms season opener, with Sol Gabetta's lyrical, intimate Elgar. 

Despite some briliant orchestral playing and orchestral warhorses, Pinchas Zukerman's wooden conducting style made for an unmemorable evening at Cadogan Hall. 

Semyon Bychkov continued to develop his noble synergy with the Royal Concertgebouw Orchestra in exemplary Tchaikovsky and Rachmaninov, although Kristine Opolais made for a tepid debut.

Considering tonight's performance celebrated interpretations of a single Shakespeare play, it presented remarkably varied music. 

A rare sighting of Muti and Mahler had stellar results in the bucolic Fourth Symphony, prefaced by two of Tchaikovsky's Shakespearean tone poems.

At a time of love and literature in fairest Barcelona, the scene was laid at the Liceu for interpretations by Tchaikovsky, Prokofiev, Berlioz and Bernstein of Shakespeare's timeless tale.

Anne-Sophie Mutter, Lynn Harrell und Yefim Bronfman bezauberten das Festivalpublikum wie erwartet.. 

Un marathon russe sur deux soirées au Victoria Hall aura permis d’entendre un bel éventail de musiques slaves. L’orchestre national russe, sous la direction de Mikhail Pletnev, ressort auréolé d’un beau succès.  

Four composers from four countries "translate" Shakespeare

Itzhak Perlman led the Juilliard Orchestra in a program of Tchaikovsky touchingly dedicated Pierre Boulez.

Collective understanding reached its apogee in the final movement. So deep was Dudamel's introspection that he had quite possibly forgotten that the audience was there.

Dirigent Salvador Mas Conde verlangte im Spiegelsaal von Schloss Herrenchiemsee den Musikern der Klangverwaltung alles ab - und offenbart die Schönheit der russischen Romantik in all ihren Facetten.

A remarkable debut from cellist Narek Hakhnazaryan with the Los Angeles Philharmonic at the Hollywood Bowl. 

The China Philharmonic Orchestra and Long Yu made their BBC Proms première, the concert's rather jumbled programme producing mixed results.

Kirill Karabits directs the Bournemouth Symphony Orchestra in electrfying Prokofiev, while Nicola Benedetti impresses in Korngold in Dublin. 

The orchestra was joined by legendary Milanese conductor Aldo Ceccato who, for a man that had been celebrating his 80th birthday just two evenings earlier, possesses a remarkable vivacity.

The Rotterdam Philharmonic Orchestra's arrival at the Proms with their musical director Yannick Nézet-Séguin was popular, selling out seats and drawing a full arena crowd. There was an atmosphere of anticipation for a famously enigmatic conductor and a colourful programme. The concert didn’t disappoint with its marriage of Tchaikovsky and Wanger, and the cryptic Symphony No.

A concert entitled “Askenazy’s Favourites” is always going to be intriguing, but perhaps more intriguing are his choices. If asked to pick what symphony Ashkenazy would choose to go in this concert, I would have thought that most people would have chosen a large-scale Romantic symphony, maybe Brahms, Rachmaninov or Mahler.

The contention that black and white are not colours felt doubtful upon seeing the customary RSNO white tie and black tails reversed; the truly colourful array of dresses offsetting white tuxedos allowed one to see, more easily than usual, the gender balance of the RSNO – which, in this Valentine’s concert, seemed about 50–50.

I often think of Lorin Maazel as the American equivalent of Sir Colin Davis – they are both in their eighties and they both deliver steady, reliable interpretations that let the music speak for itself. Maazel’s return performance with the New York Philharmonic on Saturday re-affirmed my view.

Blossom Music Center, summer home of The Cleveland Orchestra, is about 25 miles south of Cleveland, just to the north of Akron, in a beautiful wooded area nestled next to the Cuyahoga Valley National Park. Opening in 1968, Blossom presents a wide variety of concerts, both orchestral and popular, and theatrical events each summer.

Russian was the theme and Russian the temperament in this concert, part of an ongoing series at the Barbican. This particular group of "Gergiev's Russians" consisted of Tchaikovsky, Prokofiev, and Shostakovich, in music spanning seventy years of compositional history.

The pictures in the Hong Kong Philharmonic Orchestra’s performance on Friday, dubbed “Pictures from Russia”, were clear, perfectly hued and daubed with rich colour. The command that conductor Carolyn Kuan held over the Orchestra produced an evening of electric excitement.

In 2010 Xian Zhang debuted as a conductor of The Hague’s Residentieorkest to rave reviews. Her performance tonight definitely justified those reviews, she and the orchestra were on excellent form.