Sensory overload: Costanzo's Glass–Handel at Printworks London

Anthony Roth Costanzo

Anthony Roth Costanzo, Karen Kamensek and the English National Opera Orchestra

Por Mark Pullinger, 04 septiembre 2022

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“tweaked and twerked, Glass–Handel arrived... in the grungy, industrial space of Printworks London”

Crítica hecha desde Printworks London, Londres el 3 septiembre 2022

Handel, Tolomeo, Re d'Egitto, HWV 25: Stille amare

Glass, Songs from Liquid Days

Handel, Flavio, HWV 16: Rompo i lacci, e frango i dardi

Glass, No More, You Petty Spirits (World premiere)

Handel, Rinaldo, HWV 7: Lascia ch'io pianga

Glass, Monsters of Grace: In The Arc Of Your Mallet

Handel, Rodelinda, HWV 19: Vivi tiranno

Glass, Fall of the House of Usher: How all living things breathe

Handel, Amadigi, HWV 11: Pena tiranna

Glass, 1000 Airplanes on the Roof

Raf Simons, Diseño de vestuario

James Bonas, Dirección de escena

Anthony Roth Costanzo, Contratenor

English National Opera Orchestra

Karen Kamensek, Dirección

Glenn Brown, Live Painting

Jason Singh, Nature Beatboxer/Vocal Sound Designer

Justin Peck, Coreografía

J Bautista, Bailarín

Chia-Yu Hsu, Bailarín

Jack Thomson, Bailarín

Michael Walters, Bailarín

Patricia Zhou, Bailarín

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Sensory overload: Anthony Roth Costanzo's Glass–Handel at Printworks London