Sensory overload: Costanzo's Glass–Handel at Printworks London

Anthony Roth Costanzo

Anthony Roth Costanzo, Karen Kamensek and the English National Opera Orchestra

Par Mark Pullinger, 04 septembre 2022

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“tweaked and twerked, Glass–Handel arrived... in the grungy, industrial space of Printworks London”

Critique faite à Printworks London, Londres, le 3 septembre 2022

Haendel, Tolomeo, Re d'Egitto, HWV 25: Stille amare

Glass, Songs from Liquid Days

Haendel, Flavio, HWV 16: Rompo i lacci, e frango i dardi

Glass, No More, You Petty Spirits (World premiere)

Haendel, Rinaldo, HWV 7: Lascia ch'io pianga

Glass, Monsters of Grace: In The Arc Of Your Mallet

Haendel, Rodelinda, HWV 19: Vivi tiranno

Glass, Fall of the House of Usher: How all living things breathe

Haendel, Amadigi, HWV 11: Pena tiranna

Glass, 1000 Airplanes on the Roof

Raf Simons, Costumes

James Bonas, Mise en scène

Anthony Roth Costanzo, Contre-ténor

English National Opera Orchestra

Karen Kamensek, Direction

Glenn Brown, Live Painting

Jason Singh, Nature Beatboxer/Vocal Sound Designer

Justin Peck, Chorégraphie

J Bautista, Danse

Chia-Yu Hsu, Danse

Jack Thomson, Danse

Michael Walters, Danse

Patricia Zhou, Danse

Drew McOnie’s Nutcracker sparkles with individuality at Tuff Nutt

Deborah Weiss, 4th November

McOnie's Nutcracker is a riot of non-stop fun, glitter, sheer pleasure and good dancing.

*****

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Sensory overload: Anthony Roth Costanzo's Glass–Handel at Printworks London