Mixed messages and mixed results in Tallinn

Por Simon Cummings, 20 abril 2016

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“Summa, a work that operates like watching the water’s edge at the shoreline”

Crítica hecha desde Kultuurikatel (Culture Cauldron), Tallinn el 16 abril 2016

Pärt, Summa

Pärt, The woman with the alabaster box

Tulve, Lost

Lill, Niehkkoája / The Dream Stream

Mahler, Des Knaben Wunderhorn: Urlicht (Arr. Gottwald)

Mahler, Es sungen drei Engel (Arr. Gottwald)

Mahler, Rückert-Lieder: Um Mitternacht (Arr. Gottwald)

Mahler, Sinfonía núm. 5 en do sostenido menor: Adagietto (Arr. Gottwald)

Estonian Philharmonic Chamber Choir

Kaspars Putniņš, Dirección

Estonian Festival Orchestra make Carnegie Hall debut with Arvo Pärt

David Wolfson, 23rd October

Paavo Järvi and the Estonian Festival Orchestra don’t skirt all the pitfalls of a single-composer program in an all-Pärt evening at Carnegie Hall.

***11

A meditative Estonian celebration of 90 years of Arvo Pärt

David Smythe, 5th October

The Estonian Philharmonic Chamber Choir and the Tallinn Chamber Orchestra, conducted by Tõnu Kaljuste, present an Arvo Pärt portrait concert in Glasgow.

****1

Un Don Giovanni en PLS pour l’ouverture du Festival d’Aix

Romain Daroles, 4th July

La mise en scène de Robert Icke est une cruelle déception, pas compensée par les qualités de la distribution et de la direction musicale de Simon Rattle.

**111

Musically peerless but battering: Wozzeck in Aix

David Karlin, 7th July

Sir Simon Rattle and the LSO give an orchestral performance to remember, with a fine singing cast, but Simon McBurney's staging dials the bleakness to maximum too early.

***11

Estonian Philharmonic Chamber Choir intrigues in Dublin concert

Andrew Larkin, 16th November

The Estonian Philharmonic Chamber Choir shows poise and elegance in works by fellow Estonians Arvo Pärt and Veljo Tormis.

***11

Un Requiem en lumière pour Kristiina Poska à Bozar

Valentin Gautron Lavarone, 15th February

Des tourments d'Adam aux chemins de la rédemption, l'Estonian Philharmonic Chamber Choir et le Symfonieorkest Vlaanderen ont donné un programme parfois trop lisse mais toujours d'une grande beauté.

***11

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

Mixed messages and mixed results from the Estonian Philharmonic Chamber Choir