Rodelinda hits all the marks at Dutch National Opera

Por Jenny Camilleri, 15 enero 2020

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“Crowe... moulded Rodelinda into a woman of aching flesh and boiling blood”

Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 14 enero 2020

Handel, Rodelinda, regina de' Longobardi

Dutch National Opera

Riccardo Minasi, Dirección

Claus Guth, Dirección de escena

Christian Schmidt, Diseño de escena, Diseño de vestuario

Lucy Crowe, Rodelinda

Bejun Mehta, Bertarido

Katarina Bradić, Eduige

Bernard Richter, Grimoaldo

Luca Tittoto, Garibaldo

Lawrence Zazzo, Unulfo

Fabián Augusto Gómez, Actor

Joachim Klein, Diseño de iluminación

Andi A. Müller, Videoarte

Ramses Sigl, Coreografía

Concerto Köln

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La divertida escena de el director Michieletto, la expresiva direcci&oaccuten de Stefano Montanari y el estiloso canto de un reparto puramente rossiniano nos llevan a fascinante nueva producción de la poco frecuente Il viaggio a Reims en la De Nationale Opera.

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The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

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Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

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Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

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Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

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Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.