Rosas in Montreal

Por Rebecca Galloway, 05 mayo 2017

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“there is an intense oulipian joy to be had here”

Crítica hecha desde Théâtre Maisonneuve, Montreal el 4 mayo 2017

Rain (Anne Teresa De Keersmaeker)

Rosas

L'Opera Ballet Vlaanderen à La Villette, et la musique prend corps

Julie Jozwiak, 24th April

Cinq pièces de trois chorégraphes majeurs de notre temps (Trisha Brown, Anne Teresa de Keersmaeker, Jan Martens) étaient rassemblées dans le passionnant programme du ballet belge.

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Exit Above au Centquatre, l'irrésistible conjuration de la fatalité

Julie Jozwiak, 1st April

Présenté dans le cadre du festival Séquence Danse Paris, le spectacle créé en 2023 a emporté le public, grâce à la fougue des interprètes et à l'inventivité de la musique performée en live.

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Anne Teresa De Keersmaeker's Exit Above: just walking the blues away

Graham Watts, 12th November

The impressive music, especially in the live singing of Mees, is well worth the sometimes bewildering array of simultaneous activity, the confusions of intent and the occasional periods of inactivity.

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À Garnier, le Così d'Anne Teresa De Keersmaeker tourne en rond

Erwan Gentric, 10th June

La reprise de la mise en scène chorégraphiée d'Anne Teresa De Keersmaeker, créée en 2017, échoue à convaincre – au contraire de la direction musicale captivante de Pablo Heras-Casado.

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Transcendental Goldbergs from De Keersmaeker and Kolesnikov

Graham Watts, 6th September

De Keersmaeker’s career-long exploration of the interrelationship between music and movement continues at Sadler's Wells with pianist Pavel Kolesnikov.

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De Keersmaeker’s Fase without De Keersmaeker

Graham Watts, 17th March

The successful return of De Keersmaeker's early minimalist masterpiece, Fase, Four Movements to the Music of Steve Reich in the Linbury Theatre.

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Rebecca Galloway

Rebecca Galloway is a New Zealand-born writer and PR consultant for arts, design and culture. She studied dance for 13 years and has a degree in Art History from Victoria University of Wellington. She has held a variety of roles for organizations including the NZ School of Dance, City Gallery Wellington and Radio NZ, and was a strategic advisor to the national arts council Creative NZ. Rebecca left New Zealand for the United States, where she worked for renowned dance festival Jacob's Pillow in Massachussetts. Eventually finding herself in Montreal she fell in love and put down roots; currently splitting her time between communications for award-winning information design studio FFunction, dance criticism for a variety of publications and improving her rather patchy French. She tweets at @rtgalloway

The golden ratio: Rosas gives us a masterclass in proportion and timing