Fantasy and nightmare: Rusalka at Komische Oper

Por Ako Imamura, 23 octubre 2016

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Komische Oper Berlin, Berlín el 21 octubre 2016

Dvořák, Rusalka

Komische Oper Berlin

Henrik Nánási, Dirección

Barrie Kosky, Dirección de escena

Klaus Grünberg, Diseño de escena

Klaus Bruns, Diseño de vestuario

Nadja Mchantaf, Rusalka

Nadine Weissmann, Ježibaba, the Witch

Timothy Richards, Prince

Jens-Erik Aasbø, Vodník, the water goblin

Ursula Hesse von den Steinen, Foreign Princess

Annika Gerhards, First Wood Sprite

Maria Fiselier, Second Wood Sprite

Katarzyna Włodarczyk, Third Wood Sprite

Christiane Oertel, Kitchen Boy

Ivan Turšić, Gamekeeper

Johannes Dunz, The Hunter

Orchester der Komischen Oper Berlin

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Zenaida des Aubris, 31st January

Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid.

****1

Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin

Zenaida des Aubris, 22nd November

Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.

****1

Opulent minimalism: Kosky directs a new staging of Akhnaten

Zenaida des Aubris, 23rd March

Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references.

****1

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Elena Luporini, 17th November

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

**111

Kirill Serebrennikov’s Marriage of Figaro challenges Edinburgh

David Smythe, 16th August

Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner.

****1

Figaro im Kellerloch: radikale Mozart-Premiere an der Komischen Oper

Svenja Koch, 27th April

Kein Mozart für Puristen: Serebrennikov schafft ein dicht erzähltes Sozialdrama über unermesslichen Wohlstand, die Schattenseiten der hochstilisierten Glamourwelt und all jene, auf deren geschundenen Rücken dieser Reichtum verdient ist.

****1

Más críticas...

Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Fantasy and nightmare: Rusalka at Komische Oper Berlin