En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Klaus Grünberg

Heiner Goebbels präsentiert bei der Ruhrtriennale ein aufregendes Gemisch an Klängen,Texten in verschiedensten Sprachen, farbenprächtigen Dekorstücken und Lichtreizen.

Mit Barrie Koskys Inszenierung von Claude Debussys einzig vollendeter Oper rückt Alexander Soddy die Stille ins Zentrum der Musik.

M – a city searches for a murderer, by Moritz Eggert and Barrie Kosky, receives its world premiere at the Komische Oper Berlin.

There’s no doubt that Mélisande endeavours to escape past troubles when she first appears in Barrie Kosky’s production of Debussy’s opera, yet Nadja Mchantaf is no reticent, wispy maiden. Every vocal and physical gesture – always precise and penetrating – displays an atypically forthright quest for vitality, something that Arkel’s chauvinistic world does not readily offer.

Shostakovich's early masterpiece is fêted at the Komische Oper Berlin

Kosky’s The Nose hits Sydney, sweeping the audience along with hallucinogenic energy. Led by the outstanding Martin Winkler and John Tomlinson, singers and musicians deliver a wild evening's entertainment.

Introspected and atmospheric, this late romantic opera appeals to the psychotherapists within us.

Juan Diego Flórez stars as Goethe’s archetypal Romantic poet in Massenet's Werther in Zurich. 

Barrie Kosky's 2011 production confines the action of the opera to a stark white room. A fine ensemble of singers made for a successful evening.

I arrived at the Royal Opera House in the usual way, settled into my seat, and – could you believe it – the opera was gone!

Barrie Kosky’s new Macbeth is devoid of riff-raff, shrill costumes and anything trivial. Instead, it’s a feast for the imagination, a case for modern opera at its very best. 

Under the direction of Heiner Goebbels, Ensemble Musikfabrik’s twenty-two multifaceted percussionist-vocalist-actor musicians executed an industrious performance of Partch’s magnum opus, The Delusion of the Fury.

Director Tatjana Gürbaca’s production of Aida in Zurich strictly underscores the psyche and emotional parrying of the principals.

Barrie Kosky's production of Schoenberg's unfinished masterpiece is brought to musical life by Vladimir Jurowski's intense and compelling interpretation.

Die Zauberflöte may well tell us something about the Human Condition, but its staging in Zurich serves more to distract from the music and the messages than it does to support them.