Seong-Jin Cho brings his remarkable tonal abilities to Carnegie Hall

Por Edward Sava-Segal, 24 enero 2019

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“His innate sense for musical ebb and flow was particularly relevant in the works he selected”

Crítica hecha desde Carnegie Hall: Stern Auditorium, Nueva York el 22 enero 2019

Schubert, Fantasía para piano en do mayor, D.760

Debussy, Images, Set 1

Debussy, Préludes, Bk 1: selection

Musorgskiï, Cuadros de una exposición

Chopin, Prélude in A flat major, Op.28 no.17 (Encore)

Liszt, Transcendental Études, S 139: no. 10 in F minor (Encore)

Seong-Jin Cho, Piano

Emotivo fin de temporada de la OSG con Seong-Jin Cho y Slobodeniouk

Pablo Sánchez Quinteiro, 10th June

Tras diez años juntos y avanzando hacia la excelencia Dima Slobodeniouk cierra su etapa con la Sinfónica de Galicia en un concierto para el recuerdo.

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Intenso debut de Seong-Jin Cho en el Ciclo de Grandes Intérpretes

Jorge Baeza Stanicic, 10th November

El joven pianista Seong-Jin Cho, ganador del Concurso Chopin en 2015, aborda en el Ciclo Scherzo un programa brillante y complejo.

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La Mahler Chamber Orchestra inaugura el Festival de Santander

Ramón del Buey Cañas, 3rd August

La Mahler Chamber Orchestra inaugura la 68 edición del Festival Internacional de Santander con Jakub Hrůša en la direccion.

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Poetry and precision: Seong-Jin Cho returns to Carnegie Hall

Susan Stempleski, 12th April

A little over a year after his marathon all-Ravel recital at the Hall, the Korean pianist returns with an exquisitely performed program of Bach, Schoenberg, Robert Schumann and Chopin.

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Borodin steps into the symphonic limelight: Noseda and the LSO

Mark Pullinger, 15th February

Seong-Jin Cho continues his Artist Portrait series with the LSO by performing Chopin's poetic Second Piano Concerto.

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Seong-Jin Cho collaborates on double-handed LSO St Luke’s programme

Asher Rubenstein, 13th February

In a day of music among friends, superstar pianist Seong-Jin Cho displays his mettle in two demanding programmes of chamber music.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.