Profound and sublime: Maurizio Pollini rolls back the years

Por Mark Pullinger, 03 marzo 2016

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Crítica hecha desde Royal Festival Hall, Londres el 2 marzo 2016

Schönberg, Six Little Piano Pieces Op.19

Schumann, Allegro in B minor, Op.8

Schumann, Fantasía para piano en do mayor, Op.17

Chopin, Barcarola en fa sostenido mayor, op. 60

Chopin, Dos nocturnos, op. 55

Chopin, Polonesa núm. 7 en la bemol mayor, 'Polonaise-fantaisie', op. 61

Chopin, Scherzo núm. 3 en do sostenido menor, op. 39

Chopin, Balada núm. 1 en sol menor, op. 23

Chopin, Nocturno núm. 8 en re bemol mayor, op. 27 núm. 2

Maurizio Pollini, Piano

Complejo recital de Pollini con obras de Schönberg y Chopin

Jorge Baeza Stanicic, 8th December

Maurizio Pollini se mostró eficaz y admirable en la parte dedicada a Schönberg mientras que en las obras de Chopin hubo cierta variabilidad.

***11

Chopin y Debussy a través de la Prisca Sapientia de Maurizio Pollini

Leonardo Mattana Ereño, 11th February

Maurizio Pollini, acogido en Madrid por la Fundación Scherzo, desplegó toda su sabiduría en un discurso pianístico profundamente personal.

*****

Una leyenda viva: Maurizio Pollini y la mirada hacia el pasado

Tatiana Aráez, 8th February

Aunque de sobra es conocida la amplitud del repertorio pianístico de Pollini, este ingeniero del piano nos obsequió con un recital en el que se conjugaron dos cumbres del pianismo romántico: Schumann y Chopin.

***11

Half a Pollini is better than none at all

Alexander Hall, 1st March

Mystified by the headline? Then read on for a partial view of Maurizio Pollini's latest recital, celebrating his 80th birthday.

****1

A Grand Master returns: Maurizio Pollini at the Royal Festival Hall

Mark Pullinger, 12th March

Pollini's love for Chopin and Debussy was evident throughout an intimate recital as part of the Southbank Centre's in the International Piano Series.

****1

Intimacy and exuberance in Schumann and Chopin

Mark Thomas, 13th March

With plenty of sparkle and spritz, Pollini laces his performances of Schumann and Chopin with intimacy and introspection in a programme of contrasting emotions.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.