Neoclassical idioms of PNB's repertoire

Por Pia Lo, 28 septiembre 2015

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“This program [...] fuels anticipation for the season ahead.”

Crítica hecha desde Marion Oliver McCaw Hall, Seattle el 26 septiembre 2015

Tide Harmonic (Christopher Wheeldon)

The Prodigal Son (George Balanchine)

The Concert (or, The Perils of Everybody) (Jerome Robbins)

Pacific Northwest Ballet

Josua Grant, Bailarín

Maria Chapman, Bailarín

James Moore, Bailarín

Laura Tisserand, Bailarín

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

Lucía Lacarra y Matthew Golding nos acercan las distancias

Jorge Baeza Stanicic, 23rd January

Lucía Lacarra y Matthew Golding, también afectados por la separación forzada, proponían una unificación de coreografías preexistentes en un todo unitario para compartir su experiencia vital, fusionando sus movimientos con imágenes proyectadas en pantalla y con una selección musical de carácter íntimo y profundo.

*****

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

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Pia Lo

Pia Lo is a Dance Ambassador for the Canadian Dance Assembly and travels extensively to find the stories that shape the dance world. In her travels, she has taken company class with the Bolshoi Ballet, pirouetted on the Mariinsky stage and shimmied with belly dancers of The Reda Troupe. She is trained in Ballet, Contemporary, Jazz, Hip Hop and other styles. In her other life, she holds a Finance degree and works at an international bank. Pia shares her stories on here.

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