San Francisco Ballet Program 6

Por Jaime Robles, 06 abril 2014

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Crítica hecha desde War Memorial Opera House, San Francisco el 4 abril 2014

El pájaro de fuego (Yuri Possokhov)

Ghosts (Christopher Wheeldon)

La Bayadère (The Kingdom of the Shades) (Marius Petipa)

San Francisco Ballet

Lucía Lacarra y Matthew Golding nos acercan las distancias

Jorge Baeza Stanicic, 23rd January

Lucía Lacarra y Matthew Golding, también afectados por la separación forzada, proponían una unificación de coreografías preexistentes en un todo unitario para compartir su experiencia vital, fusionando sus movimientos con imágenes proyectadas en pantalla y con una selección musical de carácter íntimo y profundo.

*****

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

A timely new Eugene Onegin opens the San Francisco Ballet season

Terez Rose, 23rd January

Yuri Possokhov’s reimagining of the classic based on Alexander Pushkin’s iconic 19th century novel, succeeds brilliantly in a masterful season opener and world premiere for the San Francisco Ballet.

****1

Fearless and theatrical: Tulsa Ballet visit Bonn for the first time

Vikki Jane Vile, 21st May

Tulsa Ballet has only toured internationally six times in their 70 year history. This year, they wrapped up in Bonn, the lucky city to host From Ballet to Broadway.

****1

The Australian Ballet celebrates 60 years with style and star turns!

Deborah Weiss, 6th August

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

****1

Slick but disjointed Anna Karenina premieres in Sydney

Chantal Nguyen, 5th April

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

***11

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Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.

San Francisco Ballet's Splendid Program 6 Opens