A classical deconstruction: the Staatsballett dances William Forsythe

Polina Semionova and Gregor Glocke in William Forsythe's Approximate Sonata

Staatsballett Berlin in William Forsythe's One Flat Thing, Reproduced

Staatsballett Berlin in William Forsythe's Blake Works I

Por Katja Vaghi, 18 febrero 2024

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“the smiles are not of circumstance, the dancers are really showing the best of themselves”

Crítica hecha desde Deutsche Oper, Berlín el 16 febrero 2024

Blake Works I (William Forsythe)

Approximate Sonata (William Forsythe)

One flat thing reproduced (William Forsythe)

Staatsballett Berlin

William Forsythe, Diseño de escena

Dorothée Merg, Diseño de vestuario

Tanja Rühl, Diseño de iluminación

Stephen Galloway, Diseño de vestuario

Polina Semionova, Bailarín

Michelle Willems, Bailarín

Matthew Knight, Bailarín

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

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Katja Vaghi

With a background in Dance Studies, Literature and Linguistics (MA English Studies from Zurich University and PhD in dance philosophy from the University of Roehampton in London) and a formation as a modern dancer (Ballet Arts, NYC), Katja is a freelance dancer, choreographer, dance researcher and dramaturge currently living in Berlin.