Shedding light on inventiveness

Por Edward Sava-Segal, 16 octubre 2017

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“you had the impression that the interpreters shared a single bow”

Crítica hecha desde Carnegie Hall: Zankel, Nueva York el 14 octubre 2017

Haydn, Cuarteto de cuerda en re mayor, op. 76 núm. 5, Hob III:79

Shostakovich, Cuarteto de cuerda núm. 11 en fa menor, Op.122

Brahms, String Sextet no. 2 in G major, Op.36

Takács Quartet

Edward Dusinberre, Violín

Károly Schranz, Violín

Geraldine Walther, Viola

András Fejér, Violonchelo

Erika Eckert, Viola

David Requiro, Violonchelo

Das Takács Quartet in Bad Tölz: furios und voller Witz

Michael Vieth, 17th October

Fünfzig Jahre Takács Quartet: in Bad Tölz gestalteten sie mit Haydn, Bartók und Debussy eine Sternstunde der Streichquartett-Kunst.

*****

Takács Quartet explores folk-inflected repertoire in Cleveland

Sam Jacobson, 23rd January

At the Cleveland Chamber Music Society, the Takács Quartet collaborates with Marc-André Hamelin in works by Price and Dvořák.

***11

Dans le Luberon, le Quatuor Takács en toute frénésie

Manon Decroix, 24th August

Dans le cloître de l'abbaye de Silvacane, le Quatuor Takács a donné une interprétation engagée d'œuvres de Dvořák et Schubert.

****1

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

Takács Quartet shows its strengths in Cleveland

Sam Jacobson, 9th April

The Takács Quartet’s memorable performance was anchored by Grieg’s less-trodden string quartet, prefaced by works of Haydn and Shostakovich.

****1

Le quatuor Takács à La Chaise-Dieu : de la lumière à l’ombre

Tristan Labouret, 19th August

Dans le discret auditorium Cziffra, les quatre musiciens offrent un formidable périple de Mozart à Mendelssohn, en passant par le méconnu opus 15 de Dohnányi.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Shedding light on inventiveness: the Takács Quartet and guests at Carnegie Hall