The Royal Ballet's The Limit: an arresting experience

Francesca Hayward and Alexander Campbell in Kristen McNally's The Limit

Alexander Campbell and Francesca Hayward in Kristin McNally's The Limit

Francesca Hayward and Alexander Campbell in Kristen McNally's The Limit

Par Graham Watts, 25 octobre 2023

Chargement en cours, veuillez patienter...

Voir le listing complet

“the choreography becomes more frenetic, punctuated by passionate reconciliations”

Critique faite à Royal Opera House: Linbury Theatre, Londres, le 23 octobre 2023

The Limit (Kristen McNally)

The Royal Ballet

Anisha Fields, Décors, Costumes

Lee Curran, Lumières

Francesca Hayward, Danse

Alexander Campbell, Danse

Hannah Rudd, Danse

Jacob Wye, Danse

Jonathan Watkins’ A Single Man pierces the heart at the Linbury

Deborah Weiss, 8th September

Jonathan Watkins’ A Single Man is a compelling piece of dance theatre and a magnificent vehicle for the leading characters to shine as dancers and actors.

****1

Ella’s Big Chance: A Jazz-Age Cinderella is a rip-roaring triumph

Graham Watts, 4th July

A “high-five” for the maturity, professionalism and outstanding production values of the London Children's Ballet's latest full-length ballet.

Ballet Central at the Linbury: keen to prove its versatility

Deborah Weiss, 17th June

Ballet Central provides an extremely varied programme of new and old, classical and contemporary dance, with plenty of aplomb.

***11

Wheeldon’s Alice: The Royal Ballet shines in a vehicle of excellence

Amanda Jennings, 13th June

Christopher Wheeldon's Alice's Adventures in Wonderland shows off The Royal Ballet's roster of supreme dance actors in every version of technical wizardry and comic incarnation.

****1

The RB's Romeo and Juliet: electrifying on-stage chemistry

Deborah Weiss, 5th May

A compelling performance of MacMillan's Romeo and Juliet from an excellent cast, proves to be a triumph for Patricio Revé, debuting with the Company and paired with Natalia Osipova.

*****

Naghdi’s Juliet pierces the heart as MacMillan’s masterpiece returns

Mark Pullinger, 4th March

“But, soft, what light through yonder window breaks?” Yasmine Naghdi reaches new interpretative depths in this revival of Sir Kenneth MacMillan’s classic Romeo and Juliet.

****1

Plus de critiques...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.