A streamlined Trovatore at the Glimmerglass Festival

Par Cameron Kelsall, 07 août 2021

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“Bryce-Davis offers everything an audience member could want, vocally and dramatically”

Critique faite à Alice Busch Opera Theater, Cooperstown, le 7 août 2021

Verdi, Le Trouvère (abridged)

Glimmerglass Opera

Joseph Colaneri, Direction

Eric Sean Fogel, Mise en scène

Christelle Matou, Costumes

Robert Wierzel, Lumières

Francesca Zambello, Mise en scène

Michael Mayes, Il conte di Luna

Latonia Moore, Leonora

Gregory Kunde, Manrico

Raehann Bryce-Davis, Azucena

Peter Morgan, Ferrando

Stephanie Sanchez, Ines

Spencer Hamlin, Ruiz

Glimmerglass Festival Orchestra

A dark, delicious take on Elizabeth Cree at Glimmerglass Festival

Cameron Kelsall, 28th July

Mezzo-soprano Tara Erraught anchors a fluid and appealingly staged new production of Kevin Puts' penny dreadful.

****1

Child's play: inventive, moving Rinaldo at Glimmerglass

Cameron Kelsall, 31st July

Director Louisa Proske refracts Handel's tale of warlords and witches through the prism of a juvenile dream world, aided by a game cast headed by Anthony Roth Costanzo.

****1

Simon Godwin directs Gounod's Roméo et Juliette at Glimmerglass

Edward Sava-Segal, 30th July

The English theatre directs turns his hand to opera with a staging of Gounod's take on Shakespeare's star-crossed lovers.

****1

Brian Vu and Meredith Arwady shine in Glimmerglass Candide

David Wolfson, 8th July

Glimmerglass Opera Festival’s production of Candide leans heavily on a dry comedic sensibility, which most of the cast execute admirably.

***11

Carmen at Glimmerglass: visually striking, dramatically inconsistent

Cameron Kelsall, 18th July

Denyce Graves, once the reigning Carmen of her day, directs a new production full of interesting choices that rarely cohere.

**111

Isabel Leonard soars in Glimmerglass Festival's Songbird

Cameron Kelsall, 6th August

Set in New Orleans during the Jazz Age, this riff on Offenbach's La Périchole captures the festive spirit of the summer, despite some tired jokes.

***11

Plus de critiques...

Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Azucena takes center stage in the Glimmerglass Festival's streamlined Trovatore